Spartiti per coro misto (SATB)

A short movement from Vaughan Williams's Christmas cantata, 'Hodie'.

This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates...

This exciting piece was composed as a television theme in 1959. Like an Elgar Pomp and Circumstance march, it alternates punchy fanfare textures with a warm and supremely 'English' melody. In the hand...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart', this piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love fro...

Sing we and chant it sets the text of a well-known sixteenth-century madrigal of the same name by Thomas Morley in a jazz waltz style. This is an offprint from the four-movement work Little Jazz Madri...

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against...

With words by the composer, this mesmerising piece comes from the large-scale work, Snow Angel, and celebrates the coming of winter and the everlasting nature of music. Includes an optional cello part...

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. Also av...

This is an exciting and accessible anthem based on the popular hymn and set in the rhythmic metre of 7/8. The text, written by Charles Wesley, is suitable for services throughout the church's year.

This celebratory festive anthem captures the joy of Easter with a strong rising tune and dancing, rhythmic 'alleluias'. The instrumental parts are available on hire.

First published in The Oxford Book of Flexible Carols, Alan Smith's In the Beginning is presented here in an alternative mixed-voice arrangement. Kevin Carey's text is set to gently lilting music, per...

This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunc...

Chilcott's mighty setting of words from St John's Gospel is a dramatic yet optimistic re-telling of the Passiontide story. As with Bach's great Passions, the role of the Evangelist is taken by the ten...

Setting a heart-breaking wartime text by Wilfrid Wilson Gibson, Pott has created a beautifully poignant piece befitting any Remembrance occasion. Written in memory of Staff Sergeant Olaf Schmid, a bom...

In contrast to Lassus's three-part setting of the Adoramus te, Christe text, the heavy texture employed in this five-part work demonstrates a more mature Lassus.

This concerto is an 18-minute single span of music, although it is broken down into three sections - fast, slow, faster. The musical language explores folk-derived materials and performing practices.

To Music is a jubilant anthem set to a poem by Robert Herrick ('To Music - A Song'). Commissioned by the BBC to mark Stephen Cleobury's 60th birthday celebrations in 2009, the work perfectly captures...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo low voice a...

This small-scale work would make a useful repertoire piece, bearing in mind the need to provide compatible items for groups playing the Debussy flute/harp/viola sonata.

This is a vibrant setting of Psalm 148 and ends with a grand organ toccata. This anthem of praise is appropriate throughout the Church's year.

This gentle carol sets the text of Isaac Watts' popular 'Cradle Song' to the music of Charles Villiers Stanford's lullaby, 'Golden slumbers, kiss your eyes', from his Six Songs (op. 19), written in 18...

Let all the world in ev'ry corner sing is an upbeat setting of a hymn text by seventeenth-century English poet George Herbert. Chilcott uses irregular metres, syncopation, and dancing melodic shapes t...