Spartiti per coro misto (SATB)

It can be performed on modern instruments or recorder, 3 crumhorns, sackbut, psaltery, lute, and tabor.

This short, energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope, and Wilberg's use of a 7/8 time signature keeps the verses propelling f...

Wilberg's arrangement of 'Old Hundredth', paired with William Kethe's hymn of exaltation, builds from a simple opening to a rich-textured, rousing conclusion. An alternative ending is included, provid...

Robert Lowry's text and melody is a beautifully reflective take on the well-known hymn. Simple vocal lines are enhanced by a gently flowing accompaniment, rich in suspensions and harmonic interest. Th...

This appealing arrangement is the perfect marriage of text and melody. The popular hymn tune 'Ash Grove' is paired with a beautiful Sarah Doudney text that is rich in imagery. The sparkling piano part...

A dramatic and characterful presentation of Psalm 68 for mixed voices and piano that is rich in colour and changes of tempo and style.

This is a peaceful and expressive setting of Oliver Cooke's hymn 'I Know a Fount', a musical reminder that by God's love and sacrifice our sins are washed away. The rich, homophonic choral writing and...

This piece sets the first six verses of Psalm 105 in a song of praise packed with energy and fervour. A spirited organ part is present throughout, with spritely triplet figurations set against long, m...

This spirited setting of Psalm 150 is steeped in the English choral tradition. It features contrapuntal writing, engaging interplay between choir and organ, effective word painting, and virtuosic orga...

Written for the Choir of The Cathedral of St John, Albuquerque, Ash Wednesday sets typically fervent verses by Christina Rossetti. The vocal lines are mostly simple and affecting, with some highly ind...

This is a flexible hymn for general worship, with an original hymn tune ('Charleston') by Howard Helvey. Either Francis Scott Key's 'Lord, with glowing heart I'd praise thee' or Charles Wesley's 'Love...

No. 3 of Five Hymns in Popular Style. Orchestral material is available on hire. An SSA version is also available.

No. 5 of Five Hymns in Popular Style. Orchestral material is available on hire.

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

A gentle and melodious setting of a Lutheran hymn. Also available in European Sacred Music. Instrumental material is available on hire.

In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choi...

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

This charming piece has a warm, memorable tune and rich, expansive harmonies. Wilberg masterfully moves through different keys and scorings, culminating in a stirring unison 'amen'. Benediction is ide...

Featuring beautifully arching phrases, an optional soprano solo, and exultant yet tender climaxes, this anthem will be an instant hit with all types of choirs. The text by Selwyn Image based on I Cori...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

This elegant setting of the Evensong canticle Nunc Dimittis is in homage to and in the style of composer Sir Charles Villiers Stanford, whose own Magnificat and Nunc Dimittis settings are staples of t...

This elegant setting of the Magnificat a homage to and in the style of composer Sir Charles Villiers Stanford, whose own Magnificat and Nunc Dimittis settings are staples of the English church reperto...

Un arrangiamento del famoso inno di John Darwall con diverse versioni di accompagnamento disponibili: organo, ottoni e organo o orchestra completa.

A mysterious and mesmeric anthem for SATB and organ, using the beautiful words from Matthew 11:28-9. The piece is suitable for use in Lent and throughout the year as a general anthem.