Spartiti per coro misto (SATB) e pianoforte per ogni occasione

Mit seinen Sieben geistlichen Gesängen stellt Giacomo Meyerbeer einmal mehr unter Beweis, dass er nicht nur als Opernkomponist Epochales hinterlassen, sondern auch einige 'Schätze der Chormusik' gesch...

Un testo e una melodia originali con possibilità di accompagnamento all'organo e al violino.

Questa composizione è un bellissimo arrangiamento della bella melodia gallese del XVII secolo MALDWYN, una delle preferite del Natale.

Music of the Stars offers an enlightening commentary on the power of music to console and uplift in challenging times. Characterful string writing accompanies the engaging vocal lines, with McDowall a...

Nel creare un arrangiamento corale di questo brano nel 2011, ho cercato di rimanere il più fedele possibile alla partitura vocale del compositore del 1894 e a quella per orchestra da camera del 1897....

This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The writer Georgia Way places the sycamore tree as a centr...

This Christmas anthem opens with the refrain of 'Angels We Have Heard on High' offering an opportunity to include a children's choir along with the adults. Both groups then join together in the middle...

This Christmas anthem opens with the refrain of 'Angels We Have Heard on High' offering an opportunity to include a children's choir along with the adults. Both groups then join together in the middle...

Una nuova edizione della popolare serie Christmas with the Singers. Questo arrangiamento è luminoso, festoso e divertente da cantare. Può essere eseguito con l'arpa al posto del pianoforte e con un br...

This sweetly gentle octavo would be great for any Sunday, for mixed voices with handbells (3 octaves, handbell parts included in octavo. Keyboard optional.

A state and festival piece by David Schwoebel that incorporates the hymn tune, showy, but not difficultSATB, piano accompaniment, optional organ and brass, optional congregation

Instrumentation: piano or harp and oboe, or woodwind quartet of flute, oboe, clarinet, and bassoonThis familiar text is set to a traditional tune from Normandy. The score and quartet parts are availab...

Neil Harmon's arrangement of this traditional carol is scored for mixed chorus with piano or harp and oboe, or for a quintet of flute, oboe, clarinet, horn in F, bassoon, and a harp. Try this piece al...

This is a highly successful arrangement of the traditional tune from the 1582 Pie Cantiones the piece is set for mixed chorus with piano or harp and oboe, or a quintet of flute, oboe, clarinet, horn i...

A church musician himself, Neil Harmon writes exceedingly well for the church choir. As is the case here, many of his seasonal works are accompanied by a chamber ensemble (here for flute, clarinet, F...

In Bill Snedden's setting of this beloved text, he pairs it with a lovely new tune for SATB chorus with harp or piano and optional flute, a great addition to any holiday concert.

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.

Riempitemi quindi il bicchiere del commiato. Buona notte e che la gioia sia con tutti voi. Questa canzone tradizionale celtica è un meraviglioso numero di chiusura o un bis per un concerto. Opt. flaut...

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This beautiful and much-loved Somerset folk-song was originally from No. 2 of Five Traditional Songs arranged for mixed choir by John Rutter. Offprinted from John Rutter Choral Works for TTBB choirs.