Spartiti per canto: Mezzosoprano & baritono

This collection features celebrated arias as interpreted by the great Marilyn Horne. In addition to a brief biography, each selection, in standard voice and piano format, is followed by notes which in...

Liriche Del Novecento Italiano

Gaspare Spontini, composer and conductor, was celebrated for his operas in the late 1700s and early 1800s, although he also composed several pieces of vocal chamber music at the same time. The chamber...

Cantolopera is a publishing project devoted to students, professionals and enthusiasts who wish to approch the great vocal repertoire for practicing, performing or simply singing opera arias, sacred p...

Cantolopera is a publishing project devoted to students, professionals and enthusiasts who wish to approch the great vocal repertoire for practicing, performing or simply singing opera arias, sacred p...

For mezzo-soprano and piano. Song cycle originally scored for tenor and harp. These songs are among Berkeley's earliest compositions, written at the suggestion of Peter Pears. The poems, by Thomas Har...

This anthology has been compiled from the best-known and most frequently sung songs in the five volumes previously published by OUP. It includes songs to suit both male and female voices, although mos...

For solo baritoneThe Flea was commissioned as a work 'suitable for singing in an informal setting and easily memorised'. It is a free and humorous setting of John Donne's poem in which the poet attemp...

This three volume series comprises the bulk of the solo songs which Vaughan Williams published with Oxford University Press. The songs span his whole long career; from 1869 to 1958. The majority are s...

For unaccompanied soprano and mezzo-soprano. This unaccompanied duet for soprano and mezzo conflates R. S. Thomas' beautiful poem on the sacred quality of moorland with passages from three different P...

For mezzo-soprano and piano. This song cycle uses texts by women poets and focuses on women's experience with great humour and irony. The cycle will appeal to singers with real interpretative flair an...

This celebratory worship song, by George Frederic Handel, was composed in 1724. I Will Magnify Thee is set for Contra-Alto with Piano accompaniment.

Version for Medium Voice and Piano in the Key of E.

Ges-m solo; 2-1-1-1, 0-0-0-1, Perc, Hrf, Str (Klavierauszug)

für mittlere Stimme und Klavier