Spartiti per assolo di violoncello

Eine frühe Komposition von Aribert Reimann: Das knapp vierminütige Werk für Violoncello und Klavier verbindet ein elegisches Adagio mit gewohnt anspruchsvoller Rhythmik - jetzt als Neuauflage erschien...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...

My work lautlos II for solo cello further explores the idea of an inner dialogue between the performer and his or her instrument, in a manner similar to my previous work lautlos I. The instrumentalist...

The Sonata in G major Op. 1/3 is commonly attributed to Giuseppe Sammartini; however, it now known to be the work of Martin Berteau. This edition presents the fourth movement, an 'Amoroso Rondeau' wit...

The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned...

The edition is the part of the ABRSM syllabus (grade 5)

Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu...

The six sonatas by Benedetto Marcello (1686-1739), apart from those by Antonio Vivaldi, are among the best-known baroque compositions for violoncello and basso continuo. During the lifetime of this co...