Spartiti per assolo di violino

These very charming pieces for violin, with their many hidden technical problems, are absolutely invaluable for every student of the violin. The present edition is intended to inspire the student to a...

For this album, Peter Kolman arranged ten favourite pieces for violin and piano, mainly from the classical and romantic period. Students - both young and old - will enjoy playing these easy pieces tog...

Originally for flute and piano, Schubert's reworking of Trockne Blumen - the eighteenth song in his song cycle Die schöne Müllerin - is here adapted for the violin. It was quite common in Schubert's o...

Czech violinist Franz Drdla (1868 - 1944) studied at the conservatories in Prague and Vienna (where his teachers included Anton Bruckner). Drdla's fame as a composer rests on his popular works for vio...

Richard Strauss composed the violin concerto in D minor in the years 1881/82. At the same time he made the piano reduction of this work.

Ausgabe für Violine und Klavier - Revidierte Ausgabe von Carl Prill

Strauß in March and Gallop The artfully stylised Waltzes, Marches, Polkas, Quadrilles and Gallops were part and parcel of middle-class concert life at the end of the 19th century. This is mostly to do...

Passacaglia for violin and piano was written in 2003 as a commission by the Hannover International Violin Competition. In honour of Gidon Kremer's 60th Birthday in 2007, Arvo Pärt arranged the work fo...

Based on traditional sonata form, this expressive piece contains distinctive Straussian characteristics evident in his later symphonic settings and operas. Strauss appreciated this work very much and...

Mahler for violin and piano? Why not! The violin is probably the instrument most akin to the human voice and Mahler was a prolific song writer. Georgian violinist, Lisa Batiashvili, has chosen five so...

Aleksey Igudesman has again been on his travels - this time he takes the developing violinist to wonderful Venice. For Igudesman, Venice is clearly a source of inspiration and he takes us from central...

Basato sulla forma sonata tradizionale, questo pezzo espressivo contiene caratteristiche distintive straussiane evidenti nelle sue successive ambientazioni sinfoniche e nelle opere. Strauss apprezzava...