Spartiti per Orchestra jazz di Belwin Music

The familiar Jamaican folk song in a Calypso groove is very accessible for young bands. No individual solos and easy trumpet 1 range to written D fourth line. Reduced instrumentation and flexible opti...

The familiar Jamaican folk song in a Calypso groove is very accessible for young bands. No individual solos and easy trumpet 1 range to written D fourth line. Reduced instrumentation and flexible opti...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, The Cool One arranged by Erik Morales is aptly titled - a totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to writt...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Questo standard jazz è tipicamente un valzer jazz, ma questo superbo schema ha un'atmosfera latin-pardido in 4/4 molto alla moda. Il tempo è di mezza nota intorno ai 77 BPM, con possibilità di assolo,...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

Questo standard jazz è tipicamente un valzer jazz, ma questo superbo schema ha un'atmosfera latin-pardido in 4/4 molto alla moda. Il tempo è di mezza nota intorno ai 77 BPM, con possibilità di assolo,...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

no one else is writing Latin tunes that are this good! (3:55)

no one else is writing Latin tunes that are this good! (3:55)

This is an essential standard tune that every student of jazz should know. Victor Lopez provides your band with the opportunity to learn this legendary song in a new setting with a few twists. The hea...

Il mambo è caldo! El Rey del Mambo (Il Re del Mambo), Victor Lopez, lo fa di nuovo, alla grande. Nato a Cuba, Victor conosce la musica latina: l'essenza, la sensazione e, soprattutto, come scriverla p...

The mambo is hot! El Rey del Mambo (The King of Mambo), Victor Lopez, does it again--big time. Born in Cuba, Victor knows Latin music--the essence, the feel and, most important, how to write it for yo...

The mambo is hot! El Rey del Mambo (The King of Mambo), Victor Lopez, does it again--big time. Born in Cuba, Victor knows Latin music--the essence, the feel and, most important, how to write it for yo...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...

Here's a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell bui...