Spartiti per Banda di Southern Music Company

One of the most exceptional graduate students during the composer's more than thirty years teaching at the University of Kansas was Naoya Takizawa, who came to KU from Tokyo, Japan in 1995. Since his...

As commissioning bassoonist Jeffrey Keesecker wrote after the concerto's premiere, 'Eric has composed a modern masterpiece, a profound work of depth and meaning that captures the soul of the bassoon....

Carnival of Venice was originally written for saxophonist Adolphe Mayeur, who was a student of Adolphe Sax, the inventor of the instrument. The solo part is edited by Fred Hemke and the band accompani...

Questo emozionante poema tonale è stato ispirato dagli imprenditori americani della Rivoluzione Industriale, e ritrae la dinamica industria della farina di Minneapolis e i drammatici eventi storici ch...

Composta mentre Bernhard Heiden prestava servizio come Assistant Bandmaster per la 445esima banda dell'esercito americano durante la Seconda Guerra Mondiale, questa prima edizione a stampa è stata acc...

Composto per Pat Stuckmeyer. Include parti per euphonium solista con chiave di basso e chiave di violino. Titoli dei movimenti: 1. Elegia 2. Romanza 3. Scherzo. (2010) circa 23 minuti. Partitura e par...

Napoli is perhaps the most famous solo by Sousa arranger and cornet virtuoso Hermann Bellstedt. Conceived as a theme and variations on a wildly popular 19th century song, this edition by Bellstedt's s...

La commemorazione è stata commissionata dai membri della Northwest North Carolina Bandmasters Association per riconoscere l'illustre carriera del Dr. William A. Gora, a lungo direttore di banda all'Ap...

Los Colores de Fiesta è stato commissionato dalla Pride of San Antonio Show Band per celebrare l'anno del 300° anniversario della Fiesta della città nel 2018. Come ex membro della South San Antonio e...

Carpe Diem è stato scritto per la Argyle Secondary School di Vancouver e presentato in anteprima al concerto finale della banda senior del 2016, con il compositore a dirigere i suoi coetanei. L'opera...

Commissionato dal Durham Middle School Wind Ensemble di Lewisville, Texas, nell'autunno del 2019, per la sua prima esibizione sotto la guida della nuova direttrice, Ellie Murphy, Kings and Angels Danc...

Imagine strolling along the trail through a bucolic countryside on a sunny spring day, whistling all the way. The Penny Whistle Song conjures that very mood, featuring a trio of flutes on the melody w...

Quest'opera fu scritta da Leroy Anderson nel 1951 e da lui stesso eseguita in anteprima quando la registrò per la Decca. È interessante notare che nel 1956 il Phantom Regiment Drum and Bugle Corps di...

Mark is a relatively short, but strong guy with an interesting accent. He gives emphasis to everything he does. He often stands out in a crowd, sometimes even wearing a cap to get noticed. Your studen...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

Serenata was first performed on May 10, 1947 as an encore at the Boston Pops, with Arthur Fiedler conducting. Fiedler would later praise the piece as among the conductor's favorites. Lyrics were added...

This all-new setting of Robert Russell Bennett's enchanting Many Moods of Christmas, Suite No. 1 for wind band alone, consists of approximately eight of the original twelve minutes of the original sui...

The perfect first-concert tune, Castlewood is melodic, energetic, and right in the wheelhouse of first-year players. Claves and tambourine are introduced, so there is a little something for the percus...