Spartiti ouverture

Nach der autographen Part. ergänzt von Fritz Racek (Erstdruck).

Das "Preludio" zeigt den fantasievollen melodischen und harmonischen Erfindungsreichtum und die Instrumentationskunst Mabellinis bereits zu einem recht frühen Zeitpunkt seiner Laufbahn. Frisch und unb...

Two contrasting works from the composer, in full score. Authoritative Russian editions.

Although Mozart wrote with incredible versatility in every musical genre, his operas, for many, stand highest among his achievements. This volume contains the composer's greatest operatic overtures, e...

Questa ouverture è stata scritta per la Saint Andrew Orchestra di Edimburgo, che dirigevo all'epoca, e presentata in anteprima. Il tema iniziale ha un forte carattere scozzese, ma il materiale success...

Questa ouverture è stata scritta per la Saint Andrew Orchestra di Edimburgo, che dirigevo all'epoca, e presentata in anteprima. Il tema iniziale ha un forte carattere scozzese, ma il materiale success...

Questo brano per orchestra completa di livello junior esplora tre tableau di collaborazione tra uomo e cavallo: uno dignitoso e marziale, un secondo festoso e spensierato e un terzo tranquillo e rifle...

This junior level full orchestra piece explores three tableaus of human/equestrian collaboration: one dignified and martial, a second festive and light-hearted, and a third tranquil and thoughtful. Al...

This junior level full orchestra piece explores three tableaus of human/equestrian collaboration: one dignified and martial, a second festive and light-hearted, and a third tranquil and thoughtful. Al...

Orchestration: 2 Flutes (2nd doubles piccolo), Oboe, 2 Clarinets in A & Bb (or only Bb), Bassoon 2 Horns in F, 2 Trumpets in Bb, 2 Trombones Timpani, Triangle, Bass drum & Cymbal [1 player] Strings (V...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...

Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...

Written between October 1809 and June 1810, Ludwig van Beethoven's (1770-1827) Egmont, Op. 84 is a set of ten incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe....

The comic operetta DIE FLEDERMAUS (The Bat) by Johann Strauss II (1825-1899) is the composer's best known operetta, though "The Waltz King" is perhaps better remembered yet for his contribut...

Sergei Prokofiev (1891-1953) compose l'Ouverture su temi ebraici (o Ouverture su temi ebraici), Op. 34, nel 1919 per la non comune combinazione di clarinetto, quartetto d'archi e pianoforte; questa ve...