Spartiti musica sacra

Using driving recurring rhythms and themes sung in jubilant homophony, this song is perfect for high school and beyond and is well suited for festival use. A carefully crafted, lively selection for an...

The words of Justin Gung express God's love and power in assuring tenderness. Michael Graham's musical setting maintains the gentleness while enhancing a profound beauty as well. Soft expressions of p...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

A new setting of the Latin Ubi Caritas text. Sustained passages and nice homophonic writing allow for reflection of the text and exploration of tone and blend. A good teaching piece and a great additi...

Bob Chilcott, described by the Observer newspaper as a contemporary hero of British choral music, has been working as a choral composer and conductor since leaving The King's Singers in 1997. While in...

Following a short a cappella vocal fanfare, this exuberant work transitions into a lively 12/8 theme with full vocal textures and rich harmonies. The middle section is a contrasting slower 4/4 legato...

Following a short a cappella vocal fanfare, this exuberant work transitions into a lively 12/8 theme with full vocal textures and rich harmonies. The middle section is a contrasting slower 4/4 legato...

This spirited 3-voice madrigal with hand drum dances with humor and rhythmic energy! Excellent as a processional or opening number, your singers will enjoy the clever wordplay and vocal effects! Durat...

This spirited 3-voice madrigal with hand drum dances with humor and rhythmic energy! Excellent as a processional or opening number, your singers will enjoy the clever wordplay and vocal effects! Durat...

The opening section of Fauré's beloved Requiem could easily be considered a classic. Conductor and former Chanticleer singer Sanford Dole has done something miraculous and incredible - he has arranged...

The opening section of Fauré's beloved Requiem could easily be considered a classic. Conductor and former Chanticleer singer Sanford Dole has done something miraculous and incredible - he has arranged...

Commissioned by the Iowa City West Singers and performed at the North Central ACDA 2014, this selection received rave reviews. The sacred text of Isaac Watts makes it fitting for the church but it is...

Commissioned by the Iowa City West Singers and performed at the North Central ACDA 2014, this selection received rave reviews. The sacred text of Isaac Watts makes it fitting for the church but it is...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

Brian Tate is a master at creating a new song that sounds seasoned in time. Equally amazing is how natural the vocal parts are - almost singing themselves. Gather at the River reminds us of a hymn but...

Brian Tate is a master at creating a new song that sounds seasoned in time. Equally amazing is how natural the vocal parts are - almost singing themselves. Gather at the River reminds us of a hymn but...

This may the coolest piece to appear in years! With the a cappella trend showing no signs of stopping, this relaunch of a classic praise and worship hit is an innovative choral adaptation. Perfect for...

This ancient prayer carries the depth of the ages clothed in sounds of our current times. Jesse Beulke is a relative newcomer whose maturity in composition is evident. The melodic content is engaging...

Esistono molte interpretazioni del Padre Nostro, ma nessuna è più bella e fedele al testo di questa di Peter Anglea. Qui, il testo di San Matteo è segnato per coro misto non accompagnato con divisi. I...

Jesse Beulke is a relatively new name yet his writing deserves notice. Selected for the David Dickau Signature Series, this piece may bring him the appropriate attention. The text is quite traditional...