Spartiti musica sacra

The "Freiburger Kantorenbuch zum Gotteslob", published by the renowned Carus-Verlag, is an indispensable standard work for bringing liturgical services to life. This high-quality collection provides c...

Chor einstimmig, Instrument ad lib, Tasteninstrument

Chor einstimmig, Instrument ad lib, Tasteninstrument

Heinrich Schütz compose le "Musikalische Exequien" SWV 279-281 per il servizio funebre del suo sovrano Heinrich Posthumus Reuß nel 1635/1636. Delle tre parti, che dovevano essere eseguite in momenti d...

Heinrich Schütz compose le "Musikalische Exequien" SWV 279-281 per il servizio funebre del suo sovrano Heinrich Posthumus Reuß nel 1635/1636. Delle tre parti, che dovevano essere eseguite in momenti d...

Heinrich Schütz compose le "Musikalische Exequien" SWV 279-281 per il servizio funebre del suo sovrano Heinrich Posthumus Reuß nel 1635/1636. Delle tre parti, che dovevano essere eseguite in momenti d...

Heinrich Schütz compose le "Musikalische Exequien" SWV 279-281 per il servizio funebre del suo sovrano Heinrich Posthumus Reuß nel 1635/1636. Delle tre parti, che dovevano essere eseguite in momenti d...

mit singbarer englischer Übersetzung - Soli SSATB, Org - Tonart g-dorisch

Frühfassung von SWV 386 - Fav SSATTB, 6 Instr, [Coro SSATTB, 6 Instr, Cb, Org] - Tonart g-dorisch

Opus 7. Begräbnismusik in drei Teilen für sechs, acht oder mehr Stimmen mit Generalbass

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Louis Spohr's "The Saviour's Last Hours" from 1835 is one of the most important Passion oratorios of the 19th century. The freely composed text by the well-known publicist Friedrich Rochlitz inspired...

Soli SA, Coro SA, Org

Delibes liess in seiner 'Messe brève' der Messeteile 'Credo' und 'Benedictus' aus, fügte aber nach dem 'Sanctus' das in Frankreich gebräuchliche 'O salutaris hostia' in die Messe ein. Der Wechsel zwis...

Coro 3stg, Orgel, lateinisch. Tonart: F-Dur.

Brahms' Deutsches Requiem zählt unbestritten zu den Schlüsselwerken der Oratoriengeschichte. Der Chor ist, als Stimme der Gemeinschaft, fast pausenlos Träger des musikalischen Geschehens. Brahms verbi...

Brahms' Deutsches Requiem zählt unbestritten zu den Schlüsselwerken der Oratoriengeschichte. Der Chor ist, als Stimme der Gemeinschaft, fast pausenlos Träger des musikalischen Geschehens. Brahms verbi...