Spartiti musica funebre

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Come ha potuto dimostrare nel 2020 lo specialista mozartiano Ulrich Konrad, la versione della "Musica funebre massonica" di Wolfgang Amadeus Mozart oggi ampiamente in uso non deriva dal compositore st...

Come ha potuto dimostrare nel 2020 lo specialista mozartiano Ulrich Konrad, la versione della "Musica funebre massonica" di Wolfgang Amadeus Mozart oggi ampiamente in uso non deriva dal compositore st...

Come ha potuto dimostrare nel 2020 lo specialista mozartiano Ulrich Konrad, la versione della "Musica funebre massonica" di Wolfgang Amadeus Mozart oggi ampiamente in uso non deriva dal compositore st...

Come ha potuto dimostrare nel 2020 lo specialista mozartiano Ulrich Konrad, la versione della "Musica funebre massonica" di Wolfgang Amadeus Mozart oggi ampiamente in uso non deriva dal compositore st...

Für Soli, SATB, Orchester (2 Ob, Fg, 2 Vl, 2 Gamben, Vc) und Orgel.

Per soli, SATB, orchestra (2 obb, Fg, 2 Vl, 2 viole da gamba, Vc) e organo. La partitura è protetta da copia per le copie singole. Questo viene omesso solo se la partitura corale o il materiale orches...

Für Soli, SATB, Orchester (2 Ob, Fg, 2 Vl, 2 Gamben, Vc) und Orgel.

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...

Oratorium - Zum 150. Todestag von Louis Spohr legt Carus erstmals in einer kritischen Ausgabe Die letzten Dinge, das bedeutendste seiner vier Oratorien, vor. Uraufgeführt wurde es am Karfreitag 1826 i...

Oratorium - Zum 150. Todestag von Louis Spohr legt Carus erstmals in einer kritischen Ausgabe Die letzten Dinge, das bedeutendste seiner vier Oratorien, vor. Uraufgeführt wurde es am Karfreitag 1826 i...

Oratorium - Zum 150. Todestag von Louis Spohr legt Carus erstmals in einer kritischen Ausgabe Die letzten Dinge, das bedeutendste seiner vier Oratorien, vor. Uraufgeführt wurde es am Karfreitag 1826 i...