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Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Das 16-stimmige Tombeau de Josquin Desprez, dessen Text auf die Inschrift der Grabplatte in St. Gudula, Brüssel, zurückgeht, ist eine Auseinandersetzung mit der Polyphonie Josquins. In seinem Verlauf...

Il "Requiem in mi bemolle" è un esempio del tipo di musica commerciale di Rheinberger, che raggiunge il massimo effetto con una maestria artigianale e mezzi modesti, senza pretendere troppo in termini...

Il corale in 6 parti sull'introito della Messa per i defunti fu composto durante l'attività didattica di Rheinberger alla Scuola Reale di Musica di Monaco. Insieme ai suoi studenti di composizione, la...

Il corale in 6 parti sull'introito della Messa per i defunti fu composto durante l'attività didattica di Rheinberger alla Scuola Reale di Musica di Monaco. Insieme ai suoi studenti di composizione, la...

This work features a soprano solo while the ensemble supports with lush harmonies. This setting is a rewarding challenge for senior high and adult choirs.

Ein vierstimmiger Männerchor leitet diese neue Interpretation des Textes aus der Begräbnisliturgie ein. Hoffnungsvoll und zuversichtlich steigert sich das Stück in der Dynamik bis zum kraftvollen Chor...

Dieser Gospel Song ist wohl einer der am häufigsten aufgeführten Titel bei New Orleans Jazz-Beerdigungen. Im neuen Arrangement von Gwyn Arch leitet der Sopran die ersten Worte der Strophen bzw. des Re...

Die Trost- und Gedenkmesse berührt harmonisch und melodisch in ihrer klassischen, innigen Schlichtheit. Die leichte Singbarkeit ermöglicht eine Interpretation mit tiefer emotionaler Intensität. Die mo...

Die Trost- und Gedenkmesse berührt harmonisch und melodisch in ihrer klassischen, innigen Schlichtheit. Die leichte Singbarkeit ermöglicht eine Interpretation mit tiefer emotionaler Intensität. Die mo...

Diese eindrucksvolle Blessing-Komposition von Lorenz Maierhofer ist ein ergreifendes Abschiedslied für alle Anlässe. Die Strophen des Liedtextes sind inspiriert von einem alten irischen Gebet. Hoffnun...

Die englische Dichterin Sarah Flower Adams (1805-1848) schrieb den Text, der in der Vertonung des Komponisten Lowell Mason (1792-1872) zu einem zeitlosen christlichen Hymnus wurde. Das mit offenen Qui...

Ein neues, leicht singbares Repertoire-Stück zur Verabschiedung bzw. Beerdigung. Das melodiöse Chorlied von Lorenz Maierhofer basiert textlich auf einem Gedicht von Peter Rosegger (1843-1918).

Dieses auf Psalmtexte komponierte Strophenlied für gemischten Chor a cappella (Orgel- oder Klavierbegleitung ad lib.) ist Teil der Murauer Festmesse und berührt durch Schlichtheit und Ausdruckskraft g...

Alex Freeman's Under the arching heavens: A Requiem (2018) was commissioned by Nils Schweckendiek and the Helsinki Chamber Choir to commemorate the 100th anniversary of the 1918 Finnish civil war. Str...

Jesu, Priceless Treasure is one of very few Bach motets which are in five parts. Of all of Bach's motets it is the longest, the most varied, and has the greatest emotional range. It is founded on the...

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-pa...

I Heard A Voice From Heaven is a work by Herbert Howells from 'Requiem', scored for Unaccompanied SATB Choir. A full performance lasts around 4 minutes.

Born in Glasgow, Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master, he founded the Toynbee Musical Association in 1901...