Spartiti musica funebre

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Originally conceived as a funeral piece, this moving motet is full of elegant, unhurried lines, and pays final respect to the deceased. Originally published in AStanford Anthology.

A moving work written by Tavener in loving memory of his father. For solo tenor (or baritone) and unaccompanied choir SATB, with optional strings.

In Memory was written in memory of Glen Schaefer, and all the departed souls of America. The words come from the Orthodox Funeral Service and from a text by Mother Thekla. For SATB Choir A Cappella. J...

Composer's Note 'The words of this piece are taken from the poem They are all gone into the world of light by Henry Vaughan. The music came to me after attending the beautiful and moving funeral of Ma...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Das 16-stimmige Tombeau de Josquin Desprez, dessen Text auf die Inschrift der Grabplatte in St. Gudula, Brüssel, zurückgeht, ist eine Auseinandersetzung mit der Polyphonie Josquins. In seinem Verlauf...

Il "Requiem in mi bemolle" è un esempio del tipo di musica commerciale di Rheinberger, che raggiunge il massimo effetto con una maestria artigianale e mezzi modesti, senza pretendere troppo in termini...

Il corale in 6 parti sull'introito della Messa per i defunti fu composto durante l'attività didattica di Rheinberger alla Scuola Reale di Musica di Monaco. Insieme ai suoi studenti di composizione, la...

Il corale in 6 parti sull'introito della Messa per i defunti fu composto durante l'attività didattica di Rheinberger alla Scuola Reale di Musica di Monaco. Insieme ai suoi studenti di composizione, la...

This work features a soprano solo while the ensemble supports with lush harmonies. This setting is a rewarding challenge for senior high and adult choirs.

Ein vierstimmiger Männerchor leitet diese neue Interpretation des Textes aus der Begräbnisliturgie ein. Hoffnungsvoll und zuversichtlich steigert sich das Stück in der Dynamik bis zum kraftvollen Chor...

Dieser Gospel Song ist wohl einer der am häufigsten aufgeführten Titel bei New Orleans Jazz-Beerdigungen. Im neuen Arrangement von Gwyn Arch leitet der Sopran die ersten Worte der Strophen bzw. des Re...

Die Trost- und Gedenkmesse berührt harmonisch und melodisch in ihrer klassischen, innigen Schlichtheit. Die leichte Singbarkeit ermöglicht eine Interpretation mit tiefer emotionaler Intensität. Die mo...