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Arthur Seymour Sullivan
Trio From The Operetta The Mikado

The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...

The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...

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Numero d'ordine: BTM169
Johann Strauss (Sohn)

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...

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Numero d'ordine: BTM173
Johann Strauss (Sohn)

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...

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Numero d'ordine: BTM173SC

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

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Numero d'ordine: BTM187

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

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Numero d'ordine: BTM189
Carl Zeller
from The Operetta Der Vogelhändler

The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...

The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...

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Numero d'ordine: BTM190
Johann Strauss (Sohn)

Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. Like the famous polka Donner und Blitz, the Tick-Tack Polka opus 365 i...

Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. Like the famous polka Donner und Blitz, the Tick-Tack Polka opus 365 i...

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Numero d'ordine: BTM194
Peter Iljitsch Tschaikowsky
4. Finale

The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...

The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...

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Numero d'ordine: BTM197
Johann Strauss (Sohn)
from The Operetta Die Fledermaus

Ich lade gern mir Gäste ein è cantata dal principe Orlovsky nel secondo atto di "Die Fledermaus": egli stesso è perennemente annoiato dalla sua ricchezza, ma insiste affinché i suoi ospiti si divertan...

Ich lade gern mir Gäste ein è cantata dal principe Orlovsky nel secondo atto di "Die Fledermaus": egli stesso è perennemente annoiato dalla sua ricchezza, ma insiste affinché i suoi ospiti si divertan...

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Numero d'ordine: BTM208
Johann Strauss (Sohn), Josef Strauss

The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...

The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...

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Numero d'ordine: BTM209SC

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

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Numero d'ordine: BTM214

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

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Numero d'ordine: BTM217

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

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Numero d'ordine: BTM218

O Fledermaus, o Fledermaus è il finale dell'Operetta "Die Fledermaus" (2 Soprani, 2 Mezzi Soprani, 2 Tenori, 2 Baritoni, Coro e Banda da concerto).

O Fledermaus, o Fledermaus è il finale dell'Operetta "Die Fledermaus" (2 Soprani, 2 Mezzi Soprani, 2 Tenori, 2 Baritoni, Coro e Banda da concerto).

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Numero d'ordine: BTM219
Johann Strauss (Sohn)

Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...

Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...

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Numero d'ordine: BTM224
Johann Strauss (Sohn)

Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...

Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...

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Numero d'ordine: BTM224SC

Trascrizione completa di Erik Somers del capolavoro di Tolga Kashif The Queen Symphony. Materiale esecutivo solo a noleggio (www.batonmusic.nl)

Trascrizione completa di Erik Somers del capolavoro di Tolga Kashif The Queen Symphony. Materiale esecutivo solo a noleggio (www.batonmusic.nl)

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Numero d'ordine: BTM225SC-DL
Johann Strauss (Sohn)
from The Operetta Die Fledermaus

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

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Numero d'ordine: BTM229

Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...

Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...

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Numero d'ordine: BTM230
Peter Iljitsch Tschaikowsky

Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...

Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...

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Numero d'ordine: BTM231
Paul Dukas
L'Apprenti Sorcier

Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, the composer conducted the orchestra of...

Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, the composer conducted the orchestra of...

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Numero d'ordine: BTM240
Paul Dukas
L'Apprenti Sorcier

Scherzo d'apres une ballade de Goethe Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, t...

Scherzo d'apres une ballade de Goethe Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, t...

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Numero d'ordine: BTM240SC
Edvard Grieg
Troldtog From The Lyric Suite

This movement from Edvard Grieg's Lyric Suite is very suitable for an intermezzo or as a final in your concert program. But as an encore the March of the Dwarfs will absolutely charm your audience! Th...

This movement from Edvard Grieg's Lyric Suite is very suitable for an intermezzo or as a final in your concert program. But as an encore the March of the Dwarfs will absolutely charm your audience! Th...

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Numero d'ordine: BTM243

Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)

Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)

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Numero d'ordine: BTM245

Paul Lincke (1866-1946) is Germany's best known operetta composer and often compared with Austria's Johann Strauss. He composed a lot of operetta's, songs, dance- , revue- and filmmusic. From 1893 til...

Paul Lincke (1866-1946) is Germany's best known operetta composer and often compared with Austria's Johann Strauss. He composed a lot of operetta's, songs, dance- , revue- and filmmusic. From 1893 til...

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Numero d'ordine: BTM248

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