Spartiti musica barocca: La grande tradizione dei maestri

There are many so called 'arias' in the works of Buxtehude. These compositions are based on a poetic text like those chorale cantatas, but do not use of preexisting melody.

Dem sechsstrophigen Lied liegt die Melodie "Herzlich tut mich verlangen" zugrunde, die Buxtehude sowohl als Solokantate in Herzlich tut mich verlangen BuxWV 42 als auch als Choralvorspiel mit dem Tite...

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...

The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...

The Ascension Cantata 'Du Lebensfürst, Herr Jesu Christ' BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms...

The Ascension Cantata 'Du Lebensfürst, Herr Jesu Christ' BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms...

The Ascension Cantata 'Du Lebensfürst, Herr Jesu Christ' BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms...

La Cantata dell'Ascensione "Du Lebensfürst, Herr Jesu Christ" BuxWV 22 di Dieterich Buxtehude si basa su cinque versi dell'omonima canzone di ringraziamento di Johann Rist (1641) ed è formalmente basa...

The Ascension Cantata 'Du Lebensfürst, Herr Jesu Christ' BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms...

The Ascension Cantata 'Du Lebensfürst, Herr Jesu Christ' BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms...

Die Kantate 'Ein hoher Tag kömmt' zum ersten Weihnachtstag lässt sich wie die meisten Kantaten von Homilius nicht genau datieren, ist aber sicher seiner Zeit als Dresdner Kreuzkantor (1755-1785) zuzuo...

Come per molte cantate di Omilio, si nota subito l'insolita struttura formale della cantata "Kommt, frohe Völker, herzu" per la quarta domenica dopo l'Epifania, con due movimenti corali in una cantata...

Apart besetzte Weihnachtsmusik aus der 'Fortsetzung des Harmonischen Gottesdienstes'. Mit dem vokalen Solopart (d1-f2 bzw. d-f1) stellt Telemann wieder einmal seine Fähigkeit unter Beweis, 'für alle H...

Kantate zum 1. Advent - aus der Notenbibliothek von Johann Sebastian Bach. Soli S[A]TB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

Kantate zum 1. Advent - aus der Notenbibliothek von Johann Sebastian Bach. Soli S[A]TB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. B...

'Hosianna dem Sohne David' eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptp...

Die vorliegende Ausgabe bietet den überlieferten Notentext in revidierter Form und in einer der heutigen Editions- und Aufführungspraxis entsprechenden Umschrift. Soli SATB, Coro SATB, 2 Vl, Va, Bc

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Grande musica da chiesa barocca piena di colori e immagini! "Cantate al Signore un canto nuovo! Gridate di gioia, lodate il Signore con arpe, tamburi e trombe! Che anche la natura si unisca, che il ma...

Special instrumentations inspired Telemann's imagination. In the cantata 'Herr, lehre uns bedenken' from 1720, he linked the opening chorus and the two arias with concertante parts for a viola d'amore...

L'immaginazione di Telemann era alimentata da una strumentazione speciale. Nella cantata "Herr, lehre uns bedenken" del 1720, egli combinò il coro iniziale e le due arie con parti concertanti per una...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...