Spartiti musica barocca: La grande tradizione dei maestri

> Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites > Based on the first scholarly-critical edit...

The new scholarly-critical edition of the score of Rameau's 'ballet héroïque' Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consis...

La nuova edizione critica della partitura ha finalmente fatto luce sulla complessa storia della sua trasmissione: alla sua prima rappresentazione, il 23 agosto 1735, il "ballet héroïque" Les Indes gal...

Generalbass-Aussetzung: Wolfgang Hirschmann

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series 'Opera omnia R...

'Pigmalion' was the first example of a one-act ballet, preceded by an overture, composed specifically for the Académie royale de musique. With this work, Rameau turned to the form of the petit opéra....

“Les Boréades", edited by Sylvie Bouissou, the project leader of the Rameau Complete Edition and a central figure in international Rameau research, is a milestone – at last this exceptional work is ac...

Il balletto "Les Fêtes d'Hébé" tratta dei talenti che di solito sono oggetto dell'Opéra e che vengono messi al servizio dell'amore sul palcoscenico: la poesia e la declamazione (1ª entrata, "La Poésie...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

Les Fêtes d'Hébé o "Les Talents Lyriques" (1739) appartengono al genere dell'opera-balletto altamente sfarzosa, che era comune solo nella Francia cortese del XVIII secolo. Le "Indes Galantes" (1735) d...

Les Fêtes d'Hébé o "Les Talents Lyriques" (1739) appartengono al genere altamente sfarzoso dell'opera-balletto, che era comune solo nella Francia cortese del XVIII secolo. Le "Indes Galantes" (1735) d...

This edition unites all the purely instrumental parts of Rameau's comédie-ballet 'Les Paladins' for performance as a suite in the concert hall. In view of the wealth of the work's musical treasures an...

This edition unites all the purely instrumental and dance numbers from one of Rameau's most popular operas, along with those from his last one-act opéra-ballet 'Io', which was left unfinished at the t...

Rameau's 'Hippolyte et Aricie' showcases great confusions amongst nymphs and gods. The opera represents a fascinating masterpiece of a Baroque 'Tragédie en musique' by the French composer. This editio...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. The Best of Bach can be played with j...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. Best of Bach can be played with just...

From the Birthday Cantata, this familiar tune is filled with the infectious melodic material and mesmerizing harmonic content that are so characteristically Bach. The Best of Bach can be played with j...

Music for a Leipzig 'coffee house' and for other venues - Johann Sebastian Bach composed not only for the nobility and the church, but also for bourgeois musical culture. Among these works are the har...

Salve! luminosa Cecilia, salve a te. Grande patrona di noi e dell'armonia! - questa esclamazione apre il coro finale dell'omonima Ode a Santa Cecilia di Henry Purcell del 1692. Un inno al potere della...

Salve! luminosa Cecilia, salve a te. Grande patrona di noi e dell'armonia!. - Con questa esclamazione inizia il coro finale dell'omonima ode di Cecilia di Henry Purcell del 1692. La composizione è un...

Il programma Carus sulla musica di corte di Dresda prosegue con la prima edizione di una delle grandi messe (la n. 9, in re maggiore) di Johann David Heinichen, il più importante rappresentante musica...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

Il librettista di Johann Sebastian Bach, Salomon Franck, chiamò "Frohlockender Götterstreit" la musica di congratulazioni per la corte di Saxe-Weissenfels, oggi generalmente conosciuta come "Cantata d...