Spartiti musica barocca: La grande tradizione dei maestri

9 Parties for 2 violins (recorders/flutes, oboes) and violone (bassoon), edited by Günter Holzhausen. Scheiffelhut worked in Augsburg and is one of the most important German orchestra suite composers...

9 Parties for 2 violins (recorders/flutes, oboes) and violone (bassoon), edited by Günter Holzhausen. Scheiffelhut worked in Augsburg and is one of the most important German orchestra suite composers...

for cor anglais and string trio, reconstructed and arranged by Michel Rosset. A convincing and welcome addition to the repertoire to complement the works of Mozart and Britten. Score and parts.

Streicher im Stimmenset: Solo-2-2-1-2 Bassi

cantata for soprano or tenor [e' - f''], treble recorder & b. c., arranged by Klaus Hofmann. This small cantata is part of the "VI Moralische Kantaten" but now available in a transcription for recorde...

Seven original compositions for sopran or tenor [d' - f'' (b'')], recorder, a second melody instrument (violin, viola, flute, oboe) and basso continuo, edited by Klaus Hofmann and Peter Thalheimer. Vo...

Psalm 121 TVWV 7:15 for alto solo [a-d"], treble recorder & b. c., arranged by Klaus Hofmann. In its multifaceted structure, it draws from the lively wealth of musical invention that Telemann was to k...

Seven original compositions for soprano or tenor [f'(c') - g'' (b''')], 2-3 recorders and basso continuo, edited by Klaus Hofmann and Peter Thalheimer. Volume 21 contains the pieces: 1. Gott gibet sei...

for treble recorder, oboe, violin and b. c., edited by Klaus Hofmann. The present quartet is one of these "excellent and beautiful models." And along with Quantz, one must regret that the six pieces h...

Sacred nature scene from the cantata "Saget Dank allezeit" (Gdansk 1749) for soprano [e'-a''], sopranino recorder, violin & b. c., published as first edition by Peter Thalheimer. On June 8, 1749, Puck...

cantata after Psalm 137 for soprano [f'- g''], 2 viole da gamba und basso continuo, Durata: 9'.

String set: Solo-2-2-1-2 Bassi

In its original instrumentation, this beautiful Mass, owing to its festive nature, also fits well to the Christmas season and has a good effect even in a smaller setting (the cornett is colla parte th...

Telemann schafft hier einen Dialog, indem er die Trompeten-Pauken-Gruppe wie einen einzelnen Solisten einsetzt, aber auf eine Weise, die ganz anders ist als im italienischen Concerto Großo. Die Streic...

six Consort-suites for 2 oboes, bassoon, strings & b. c. (Stuttgart 1700), edited as Urtext-edition by Michael Robertson. During his time as "Württembergischer Hofkapellmeister" in Stuttgart Cousser p...

The concerto by the Roman composer, who was presumably a pupil of Corelli's, is a great enrichment to the repertoire and was hitherto mistakenly catalogued as a violin concerto.

The concerto by the Roman composer, who was presumably a pupil of Corelli's, is a great enrichment to the repertoire and was hitherto mistakenly catalogued as a violin concerto.

Sacred concert for soprano, alto recorder (transverse flute), 2 violins, viola, & b.c., edited by Klaus Hofmann. The Silesia-born Bach-contemporary Tobias Volckmar wrote three very beautiful sacred co...

ZM 31880 è una nuova edizione rivista del vecchio numero 1117. Questo quartetto appartiene alla serie dei cosiddetti "Quartetti parigini", composti tra il 1730 e il 1740. Werner Richter ha completato...

Questa edizione del Concerto italiano di Bach, curata da Catrin Finch, vuole essere una versione pratica per l'arpa. Catrin ha ripensato la diteggiatura e ha eliminato le modifiche al pedale per conse...