Spartiti medio per orchestra

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

Goethes dramatische Ballade "Die erste Walpurgisnacht" inspirierte Mendelssohn zu einer großartigen und plastischen Darstellung des Konfliktes zwischen einer alten heidnischen Gemeinschaft und den neu...

Gemischter Chor (SATB) oder Männerchor (TTBB/TB) und Orchester

Gemischter Chor (SATB) oder Männerchor (TTBB/TB) und Orchester

Calon Lân (in gallese "Un cuore puro") è un inno gallese il cui testo fu scritto nel 1890 da Daniel James e cantato su una melodia di John Hughes. La canzone è stata originariamente scritta come inno,...

A composition with a religious touch, based on the well-known hymn 'Lobet den Herrn'.The traditional introduction is followed by a section in baroque-style scored in a modern idiom which leads to the...

Carl Philipp Emanuel Bachs 9-sätziges Magnificat von 1749, sein erstes großes Berliner Vokalwerk, gehört zu den klangprächtigsten, in den vokalsolistischen Partien freilich auch zu den anspruchsvollst...