Spartiti medio per Violino

Samuel Dushkin (1891-1976), advisor, duo partner and friend of Igor Stravinsky, wrote several transcriptions for his instrument, the violin, of then well-known and popular melodies from works by Strav...

Stravinsky's Tango is one of the standard works in the neoclassical repertoire and is presented here in an arrangement authorised by the composer himself.

Arranged by: Andrew MooreStages: Grade 5-7

Here is a piece of music that is fun to play, an early work by a composer of the late Dada period and classical jazz. Erwin Schulhoff made his name in the 1920s with piano music inspired by jazz and D...

The edition is part of the ABRSM syllabus (grade 6,8)

From the composer: The Four Winds reflects musical influences and connotations from the East, North, West and South. As a symbol for the various musical inspirations of the compositions, I have used t...

A major contribution to the modern violin/piano repertory, Alexander Goehr's Suite was written for internationally renowned soloists Pamela Frank and Peter Serkin. It is in 3 movements and last about...

Dieses Auftragswerk für den 5. Internationalen Violinwettbewerb Leopold Mozart in Augsburg ist im Berlioz-Jahr 2003 eine liebevoll-ironische Hommage an Harriet Smithson, die berühmte englische Darstel...

Fritz Kreisler's (1875-1962) collection Klassische Manuskripte written by the violin virtuoso around the turn of the century who pretended they were transcriptions of movements by old masters such as...

In her music, the composer Johanna Senfter, student of Max Reger in Leipzig, devoted herself entirely to the late Romanticism. While her music had been regarded as old-fashioned for a long time, the p...

In November 1885 Camille Saint-Saëns set out on a concert tour with the Cuban violinist Diaz Albertini which led him to the north of France on his way to Germany. On a cold and damp evening, the crack...

In the time of travelling violin virtuosos in the 19th century, the Belgian composer Henri Vieuxtemps was regarded as one of the 'greatest', next to Paganini, Spohr, Bériot, Wieniawski and others. His...

'In an easier style, intended rather for its use at home than for concert performances', this is how Bedrich Smetana described his two 'duos' for violin and piano Aus der Heimat, written 'in a truly n...