Spartiti medio per Orchestra jazz e Big Band

A very exciting chart, alternating between a very funky boogaloo and swing. The tempo is around 144 BPM and the lead trumpet range is to written A above the staff (optional high D). Solos with suggest...

Un brano molto emozionante, che alterna un boogaloo molto funky allo swing. Il tempo è di circa 144 BPM e il range della tromba solista è fino al La scritto sopra il pentagramma (D alto opzionale). So...

A very exciting chart, alternating between a very funky boogaloo and swing. The tempo is around 144 BPM and the lead trumpet range is to written A above the staff (optional high D). Solos with suggest...

An original with a funky groove with some powerful dynamic contrasts throughout. Played at 142 BPM, a suggested tenor 1 solo is provided and followed by an interlude that builds right into the finale....

Un originale con un groove funky e potenti contrasti dinamici. Eseguito a 142 BPM, prevede un assolo suggerito per il tenore 1, seguito da un interludio che si sviluppa fino al finale. L'estensione de...

An original with a funky groove with some powerful dynamic contrasts throughout. Played at 142 BPM, a suggested tenor 1 solo is provided and followed by an interlude that builds right into the finale....

Date un tocco di soul al vostro prossimo concerto con questo classico registrato da Aretha Franklin. Divertente sia per la band che per il cantante! Include anche un assolo per tenore.

Straight from Mike Tomaro's 'Home Again' disc on the Positive Music label, 'Conspiracy Theory' is designed with the abilities of medium-advanced bands in mind, this half-time funk original features an...

Straight from Mike Tomaro's "Home Again" disc on the Positive Music label, "Conspiracy Theory" is designed with the abilities of medium-advanced bands in mind, this half-time funk original features an...

Written in ABA form featuring funk shuffle and double-time swing styles, tenor sax gets the primary solo assignment here, though the solo section may be opened up for additional players if desired. Wi...

A trendy funk groove, solos for alto sax and trumpet, and solid ensemble writing make this a winner in anyone's book! As the title implies, playing with controlled intensity and momentum throughout ar...

This funk chart is based on two chord changes which make soloing a breeze. A short interlude (Bridge) provides a break from the 2 chords.

Carl has provided our catalogue with a funky power rock composition that will keep your students happy and challenged! With a power intro featuring the guitar, this chart settles down to a nice groove...

An exciting new funk chart that will please both students and audiences with it's funky feel and blues based melodies. Solos are a piece of cake with only 2 chords or one scale to negotiate. Concert F...

Lots of funky fun in this cool chart that starts out featuring a combo of alto sax, bari sax, trumpet, guitar and trombone before the whole ensemble gets in on the action. The solo section is designed...

Right from the start, the bass line lets you know this is one cool chart. Funky lines and plenty of solid ensemble writing make this Hip-Hop groove a great change of pace for your next performance. Lo...

Pete has composed another gem! 'Soulful Swagger' is written in a medium funky-groove style with plenty of energy and driving ensemble sections to keep it cookin'! A contemporary big band chart with lo...

A great new chart of Freddie Hubbards' great 'Blues For Miles' that really cooks! Freddie describes this tune as 'Hip Hop Funk' on the original CD also entitled 'Blues for Miles.' Mike's solid arrange...

Lots of funky fun in this cool chart that starts out featuring a combo of alto sax, bari sax, trumpet, guitar and trombone before the whole ensemble gets in on the action. The solo section is designed...

Recorded in 1971 by the Count Basie Orchestra on their Have A Nice Day album, this classic featuring solo trombone opens and closes with a directed chorale. In between, the pairing of a gospel groove...

Big Band Gospel...... what a wonderful idea! Dan has written a very attractive gospel-flavored chart which is not difficult to play. Limited ranges make this a playable chart for most bands (the last...

Composto originariamente per il film Top Hat del 1935 con Fred Astaire e Ginger Rogers, questo classico è rimasto da allora uno dei preferiti del jazz. Arrangiato in una tonalità molto comoda per le v...

Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, spac...

'Vending Machine isn't Broke' is an excellent contemporary chart for big band by Craig Skeffington. Written in a modern straight 8th style, it features all sections of the band with improvisational sp...

'Avalon' is a 1920s jazz-era chart by Vincent Rose and Buddy DeSylva, written originally as an advertisement for the California resort town, and has found fame as a virtuosic showcase for big bands an...