Spartiti medio per Orchestra jazz e Big Band

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

Penned by Bobby Timmons and recorded by a number of jazz artists over the years, Dat Dere is a great example of soul jazz of the early 60's. This arrangement for small band features alto sax and trump...

Penned by Bobby Timmons and recorded by a number of jazz artists over the years, Dat Dere is a great example of soul jazz of the early 60's. This arrangement for small band features alto sax and trump...

Penned by Bobby Timmons and recorded by a number of jazz artists over the years, Dat Dere is a great example of soul jazz of the early 60's. This arrangement for small band features alto sax and trump...

Penned by Bobby Timmons and recorded by a number of jazz artists over the years, Dat Dere is a great example of soul jazz of the early 60's. This arrangement for small band features alto sax and trump...