Spartiti medio per Orchestra jazz e Big Band

Il classico successo di Elton John del 1983, con il suo ritmo sostenuto e il suo messaggio di perseveranza, è oggi più popolare che mai. Questa versione swingante inizia con i tromboni in testa, segui...

L'iconica power ballad di Ozzy Osbourne dell'inizio degli anni '90 è perfettamente calibrata per un giovane ensemble jazz.

Rock On is written in a medium-up tempo Rock-Boogaloo style. The solo section features the tenor saxophone but can be opened up for any instrument. The very easy solo changes and the style are ideal t...

Una bella melodia di Herbie Hancock e una tabella stellare di Erik Morales. Creativo e sofisticato, ma non tecnicamente difficile e il range della tromba solista è solo fino alla linea superiore del F...

Questo schema è un eccitante jazz-rock - puro e semplice. Dal gruppo jazz-rock Chase, la sezione delle trombe è evidenziata e gli assoli (scritti) sono per sax tenore, tromba e trombone. La gamma dell...

Composto dal trombettista jazz Freddie Hubbard, questo groove funky rock ha assoli scritti per la tromba 2 e il tenore 1, un gancio orecchiabile nella melodia e una gamma di trombe soliste fino al La...

Wow! Questo schema è assolutamente da urlo. Una melodia formidabile in un groove funky-rock intorno ai 132-144 BPM, con un feeling da ottava dritta e un lick di apertura molto trendy. Sono disponibili...

With an infectious shuffle-funk groove, hip voicings and a strong melody, Grandview Groove is sure to be a hit on any concert. The open solo section provides plenty of space for your soloists to stret...

Questo brano sfida la definizione! Linee complesse e intrecciate, con molte sincopi, creano un paesaggio sonoro fluttuante che sale e scende con ogni frase. Ci sono alcuni momenti musicali meraviglios...

Mit dieser fetzigen Rock-Nummer werden Sie Ihr Publikum begeistern.

Ein echter Rock-Klassiker, der u.a. durch Bob Seger und Status Quo bekannt wurde.

Oh, bitte gib mir nur ein... Oh, bitte gib mir nur ein... Oh, bitte gib mir nur ein... Bitte, bitte gib mir nur ein Wort! Der Mega-Song von "Wir sind Helden"

With an infectious rock groove, hip voicings and a strong melody, this medium level chart is sure to be a hit! The open solo section (written or ad lib) provides plenty of space for your soloists to s...

With an infectious bossa-rock groove, hip voicings and a strong melody, this chart is sure to be a hit on any concert. The open solo section (written or ad lib) for Alto Sax and Trumpet provides plent...

This burning, high-energy samba will bring the house down, and is perfect as an opener or closer. Solo space (written or ad lib) is provided for alto sax, tenor sax or vibes and then trumpet or trombo...

The title of this vibrant Latin rock original for advancing groups refers to the close professional and personal association shared by Chuck Mangione and Gerry Niewood during their many years of worki...

This funky rock tune includes conservative ranges, fully written-out rhythm section parts, and repetitive rhythms which makes it playable by advancing groups through professionals. The piano has a sol...

This hard-driving Latin rock chart with a tuneful melody, strong backbeat, solid scoring and modest brass ranges will be a hit in any concert or contest venue. Ad lib solos are available for one or bo...

Inspired by the scenic grandeur of California's Monterey Peninsula asseen from the road that hugs the Pacific coastline there, this catchy rockshuffle for advancing groups grooves from start to finish...

From Michael Bublé's 2011 Christmas album. This score can be used by just the rhythm section and string synth or string section. It can be used by a small band with or without the strings of any sort...

Michael Buble. Augmented Big Band Vocal. From the Christmas album with Backing Vocals included and full strings.

Extended from the original version to full big band, with strings on synth part, as well as a separate keyboard. This chart will work with 3 front line (Alto, Tenor, Trpt) and 4 rhythm. Key: Db-Eb Voc...

Nothing says Motown like this #1 Aretha Franklin hit from 1967! Add this to your jazz ensemble's set list, and watch the crowd get movin'.