Spartiti medio per Orchestra d'archi

Stimmensatz - 5 Violinen I, 5 Violinen II, 5 Violoncelli/Kontrabässe

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

Stimmensatz - 4 Violinen I; 4 Violinen II; 4 Violinen III; 3 Violoncelli; 2 Kontrabässe - Streichorchester

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Partitur = Cembalo - 3 Violinen, Streichorchester und Basso continuo

This work originally composed for string quartet was conceived by Mozart for choric instrumentation. As to the playing technique, it is not very difficult.

Stimmensatz - 5 Violinen I; 5 Violinen II; 3 Violen; 3 Violoncelli/Kontrabässe - Streichorchester

18th century ballroom dances.

18th century ballroom dances.

Stimmensatz - 5 Violinen I; 5 Violinen II; 3 Violen; 3 Violoncello; 2 Kontrabässe - Streichorchester

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

A perfect example for an early symphony in the Neapolitan style.

The 'Divertimento giocoso' by Harald Genzmer created in 1960 is scored for two woodwind instruments (flutes, recorders or transverse flute and oboe) as solo instruments opposed to the string orchestra...

This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings....

This suite has been taken from the music of the Christmas tale of the same name. The instrumentation can be easily realized with four woodwind instruments, two brass instruments, timpani and strings....

The composer born in Prague, now living in America, studied with Honegger and Nadia Boulanger. The pieces created in 1955 are very rewarding for orchestral work since all parts are treated equally. Th...

Joseph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The 'Heitere Suite' was created in 1945. 'After a slow introduction (q...