Spartiti medio per Ensemble misti

Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its...

Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its...

Casa Ricordi Milano in collaborazione con la Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Edizione critica a cura di Alessandro Borin. I sei Concerti per violino, archi e basso continu...

Casa Ricordi Milano in collaborazione con la Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Edizione critica a cura di Alessandro Borin. I sei Concerti per violino, archi e basso continu...

Casa Ricordi Milano in collaborazione con la Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Edizione critica a cura di Alessandro Borin. I sei Concerti per violino, archi e basso continu...

Casa Ricordi Milano in collaborazione con la Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Edizione critica a cura di Alessandro Borin. I sei Concerti per violino, archi e basso continu...

Casa Ricordi Milano in collaborazione con la Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Edizione critica a cura di Alessandro Borin. I sei Concerti per violino, archi e basso continu...

Casa Ricordi Milano in collaborazione con la Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Edizione critica a cura di Alessandro Borin. I sei Concerti per violino, archi e basso continu...

Work for Flute, Percussion and String Quintet. Quoting Karen Tanaka: The title, Invisible Curve, suggests flexibly curved space-time in four dimensions. The curve occurs because of weight and energy o...

Work for Flute, Percussion and String Quintet. Quoting Karen Tanaka: The title, Invisible Curve, suggests flexibly curved space-time in four dimensions. The curve occurs because of weight and energy o...

Chausson wrote some interludes for flute and harp for a production of Aristophanes' The Birds, performed at Le Petit ThéÔtre de la Galerie Vivienne, Paris, in 1889. At the request of Emily Beynon, wor...

Work for Clarinet, Trumpet, Violin, Cello, Piano and Percussion, composed in 1987 and revised in 1989.

The Ballad of Kastriot Rexhepi was commissioned by the Santa Monica Museum of Arts as an original score for the installation The Ballad of Kastriot Rexhepi by MaryKelly. The words are used/reproduced...

The Purcell Society Volume 18 (Hardback edition) contains the second part of Henry Purcell's Royal Welcome Songs. The Purcell Society is dedicated to making his vast list of works available, many of w...

Volume 20 of the 'Purcell Society' series, Dramatic Music Part 2 contains 16 pieces by Henry Purcell for intermediate/advanced (Grades 6-8) Voice(s), String Instruments and Continuo. The collectioninc...

Paperback edition available: NOV151020.

Taken directly from the Purcell Society Volume 14. Includes string parts laid out in full.

A beautiful and romantic work, scored for Flute, Viola, Cello and Cembalo. Edited (with the Cello part realised) by Louis Moyse. Score and parts included.

Intermezzo... Mellem Hans Og Per for Ensemble was composed by Svend Hvidtfelt Nielsen for Edition Wilhelm Hansen's 150th Anniversary in 2007. Dedicated to Hans Abrahamsen and Per Norgård.

Frankel's Pezzi Pianissimi Op. 41 is a short and delightful work in three movements, for B flat Clarinet, Cello and Piano. The piano score and individual clarinet and cello parts are all enclosed.

Respiro Ergo Sum was composed by Niels Rosing-Schow in 2015, for Josefine Opsahl and Bjarke Mogensen

Jouni Kaipianen's Tombeau De Rabelais Op. 32 from 1987/2001, scored for Bassoon, Violin, Viola and Double Bass.

Peter Bruun's Alle Ting Er Hans Spejl (All Things Are His Mirror) for Mezzo-Soprano and Chamber Ensemble. Text in Danish by Jørgen Gustava Brandt. Manuscript copy.

Twelve To Remember, Twelve To Come for Trombone and Ensemble was composed by Peter Bruun in 2001. Commisioned by Jesper Juul Sorensen Written for Jesper Juul Sorensen and Athelas Sinfonietta Copenhage...