Spartiti medio per Coro misto

An advanced work by Daniel Elder, Shadows Will Fall is an incredibly interesting soundscape that moves from the darkness of shadows to the brightness of tomorrow. The work expresses the sentiment 'kee...

A gorgeous and etherial poem by Sara Teasdale has been set here by composer Dominick DiOrio. Rhythmic passages allow for joyful abandon and vocal fervor, while sustained sections offer contrast. Exper...

This love song is written from the perspective of a parent to a child, and likens the love of a parent to the love of God. For more advanced choirs, this work by Jason Max Ferdinand uses beautiful jaz...

Clapping, shouting, and intricate rhythmic singing combine in this exciting new work from Rob Dietz. In the contemporary a cappella style, but also meant for larger choirs, this will be a stunning add...

Paper Edition. English.

The text for the piece is taken from Isaiah 60 portraying Christ as the light of the world. Scored for brass ensemble with organ or full orchestra, the work requires a large chorus of skilled singers....

Based on 'Joy to the World.' Commissioned in 2007 as a concert closer by the Dallas Symphony Orchestra and Chorus. Soft, delicate introduction featuring children's choir leads to a verse by a small gr...

Written for SATB chorus and brass ensemble, with a piano reduction. Text by Dylan Thomas.

Earthlight was commissioned by Chester Music Festival 2008 and given its premiere at Chester Cathedral on July 25th 2008 by the Royal Liverpool Philharmonic Orchestra, and the Chester Festival Chorus...

A dramatic and challenging SATB work featuring the poem of Australian writer, Philip Rush, which depicts the life cycle of an enormous tree in the Tasmanian forest.

Finally, a beautiful choral arrangement of this timeless spiritual. John V. Sinclair has taken this well-known spiritual and has turned it into something any mixed choir would love to have as a part o...

The G. Schirmer Choral Church Music series presents J. S. Bach's Crucifixus from the Mass In B Minor. Scored for SATB Chorus and Organ or Piano accompaniment.

From the most ecstatic, trumpeting orchestral jubilation of the start of the Gloria, to the tender, pained longing in the Soprano and Tenor duet of the Laudamus te, or the unstoppable fugue of the Cum...