Spartiti medio per Coro misto

Gian Carlo Menotti is frequently considered to be the greatest composer of American opera in the twentieth century. His Missa O Pulchritudo was first performed in 1979 in Milwaukee by the Bel Canto Ch...

An unfinished Oratorio by Mendelssohn, for mixed soloists and SATB chorus with Piano accompaniment. The English version of the text is by W. Bartholomew.

For four part chorus of mixed voices with soprano, mezzo-soprano, tenor and baritone solos. Full score and parts are available for rental from the publisher.

A dramatic cantata for mezzo-soprano, tenor, baritone and bass soli, mixed chorus and orchestra.

Danish/English Vocal score for Jean Sibelius' The Tempest Op. 109 (1925-26) - Incidental Music to William Shakespeare's 'The Tempest'. For soloists (S, M, T, 2Bar), Choir SATB and Orchestra. Full Scor...

An oratorio for SSSSATBB soli, chorus and orchestra, written in 1748. This vocal score includes a piano accompaniment revised from that of the German Handel Society.

This work, written for SSAATB soli, SSATB chorus and orchestra, was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral, London, on 7th July 1713. Together with J...

Theodora, on a libretto by Thomas Morell, was composed between 28 June and 31 July 1749 when Handel was in his 65th year. This oratorio was written for SMATB soli (with a small supporting part for the...

Cantata in five scenes to poems by Thomas Hardy for soprano and baritone soli, SATB chorus, two pianos, timpani and percussion. Duration: c. 28 minutes.

John McCabe, one of Britain's best known contemporary composers, was specially commissioned in 1976 to compose this work by the Northampton Philharmonic Choir to celebrate its 80th Season.

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli, SATB chorus and orchestra. This voca...

An anthem composed in celebration of the Peace of Aix-la-Chapelle, first performed in the Chapel Royal on the 25th of April, 1749, during a service attended by the King and other members of the Royal...

The seventh of Handel's eleven Chandos Anthems, written in 1717 in the year of his attachment as resident composer to James Brydges, Earl of Carnarvon and later Duke of Chandos. An interesting work wh...

Commissioned by Jeremy Patterson and the Birmingham Festival Choral Society with a grant from Bimingham City Council.

Magnificat in D has long been regarded as one of Bach’s finest short choral works and is frequently performed on festive occasions. Included in this edition is the far less well known Magnificat...

An ode by John Milton, set for double SATB chorus and orchestra. Dedicated to C. V. Stanford and the members of the Bach Choir. Orchestral material is available on hire from the publisher.

Beethoven's Mass In C was commissioned by Prince Nikolaus Esterhazy for the name-day of his wife Princess Maria, and was first performed on 13 September 1807. Beethoven's setting continues the series...

An anthem arranged for ATB voices, SATB chorus and strings taken from Volume 14-Sacred Music, Part II. Edited by Lionel Pike.

In writing Elijah, Mendelssohn paid musical tribute to his two musical heroes, Bach and Handel, to which he added his own lyricism and Orchestral colour, blending, in Elijah, elements of the Baroque a...

First performed on 17 October 2000 at the Pieve dell'Assunta, Cavalese, Trentino, Italy by the Mayfield Singers, this is an Italian translation of the text A Hoy Calendar from the poem sequence Fisher...

For Baritone, Mixed Chorus and Orchestra. Based on 'Twenty Poems Of Love And A Song Of Despair' by Pablo Neruda. The Lovers is a suite consisting of a prelude and nine movements which traces the progr...

Piano reduction of this beautiful cantata for Soprano solo, Chorus and Orchestra with Spanish text from St. Teresa of Avila. Non-singing English translation included for study.

O Waly Waly, set by Patrick Hawes for Baritone solo, SATB chorus and Piano.

In 2002, I was commissioned by the Turtle Creek Chorale to compose a three-movement star-themed piece for their upcoming 'celestial' concert. I immediately knew that I wanted strings and celeste to se...