Spartiti medio per Coro misto

How Come It Is So Hard To Be the Way You Are? This work by the countertenor of The Real Group is a humorous look at today's society. Available: SATTB a cappella. Performance Time: Approx. 4:00.

This stunning anthem carries the hallmark of Nance's melodic writing. Its soprano solo has the innocence of a boy soprano voice, complementing the bigger choral sound. Sung in Latin, the SATB divisi i...

The work was originally commissioned for Edina High School Girl's Choir and is now offered in a vibrant, intense and truly jubilant setting for SATB voices a cappella, incorporating all of the complex...

The second publication after 'I thank You God for most this amazing day' in the set of three Songs of Faith, all to poems by E.E. Cummings.

Based on Elgar's own piano transcription of his Enigma Variations, the rich harmonies and depth of expression of this setting with sacred text may be performed by a variety of choirs.

A modern arrangement of a traditional gospel tune, this is a swinging, fun piece for high school SATB. Comfortable vocal range for all parts. Great concert closer!

A great festival or competition work, with exciting Latin rhythms and text in Creole. A fun challenge for an accomplished, larger size high school choir and sure audience pleaser.

From acclaimed New Zealand composer David Hamilton, this captivating setting of a poem by fellow New Zealander John Marsden will transport audiences to the southern hemisphere. As much a joy to perfor...

An engaging and energetic new offering from Vijay Singh, this piece encourages the audience to clap your hands. In Latin.

A sophisticated mood piece, with text taken from the 19th century poem, Ruth, inspired by the dramatic love story of Ruth and Boaz in the Old Testament, this is a good teaching piece which will amply...

Rollicking and upbeat, this playful setting of a traditional Irish children's song is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and...

Three thematically related works by American composer William Billings, in a set that can be performed singly, as a group, or dispersed throughout a concert program. Includes: Modern Music, Is Any Aff...

Here is a spiritual that will please your choir and the audience alike! This festival arrangement stresses the rhythms and asks you to express the dynamics, to bring out the contrasts of this fun arra...

Masterfully composed by well-regarded Canadian composer and choral director Mark Sirett, this setting's rich, deep sonority draws out hidden nuances of the Latin text. For advanced choirs. Duration: c...

Fasten your seatbelts for this show stopper! From Haiti, this piece appears more complex than its straight four part setting and would be an excellent festival selection for good high school choirs an...

Duration: ca. 4:30.

Duration: ca. 5:00.

The poem describing the moon as a silver lady in her tower inspired this rich work for the more advanced high school choirs and beyond. With expressive harmonies and dramatic dynamics, it will add a b...

Sung in French, Gabriel Guillaume's text is a dialog between man and his God. This beautiful and rewarding work requires a mature choir - advanced high school or college. A full English translation is...

This impressionistic work is a lovely celebration of youthful romance, long ago in springtime Italy. Heartfelt harmonies and expressive melodies create the background for a tenor solo. Excellent for h...

Here is a moving pairing of two favorite spirituals. Opening with a gentle rocking 6/8 setting of I Am a Poor Pilgrim, featuring a soprano soloist, it moves into Sometimes I Feel Like a Motherless Chi...

Here are 12 of the King's Singers favorite works of the European Renaissance in their own performing editions. Includes performance notes and translations for each work. Spanish: Otro tal misacantano...

This well-known overture to Rossini's opera has been a long-time favorite in King's Singers concerts. From the subdued opening theme in the strings to the rousing full-orchestra close, this instrument...

Though it appears difficult at first glance, this piece is not as challenging as it looks and is highly recommended for advanced high school and/or college choirs. The composer uses lush and dissonant...