Spartiti medio per Coro misto

Text: Paul Verlaine (Italienisch).

Mixed chorus, echo chorus and soprano and tenor soloists draw the congregation to the Star of Bethlehem in this exciting syncopated spiritual.

James Erb is known by most choral directors for his exceptional edition of 'Shenandoah. ' Here James has created an exceptionally musical setting of the William Blake text The Lamb. Ideal for concerts...

This motet is placed under the sign of hope: Look, I am coming soon! It is a promise of the risen Jesus Christ, which stands above all times. If we look at the historical situation in the knowledge of...

Schlusschor aus der geistlichen Oper Der Mann Mose

Lately, the 'choir pope' Clytus Gottwald has increasingly arranged late Romantic repertoire pieces for a cappella choir. He said: 'The idea to make music from around the turn of the 19th to the 20th c...

He was regarded as the German hope among the composers of his generation and as 'next man of New Music', but his early death quashed all such hopes of the music scene: Rudi Stephan died at the early a...

Work for Mixed Voices A Cappella, composed in 1960. Text: Pharaoh Akhnaton, translated H. O. Lange and Holger Nörgard

Vagn Holmboe's Hevjid i Homrum Op. 81 - Seks Yrkingar/Six Poems by Jens Hendrik Oliver Djurhuus (English transl. by Ken Tindall) for Mixed Choir SATB.

Pavane Fantasia (1974) - On a Pavane by Orlando Gibbons. For Mixed Choir a cappella (SSATBB + soli SSATB). Text: Sonnet VII by William Shakespeare.

4 'Neue' Motetten und Ein Kanonischer Spaß arrangiert für Soli und Choir SATB a cappella von Bo Holten.

Godmorgen Lille Land was expertly composed for TTBB a capella by Carsten Johs. Morch, with lyrics written by Niels Brunse.