Spartiti medio per Coro misto

This is a moderately challenging, a cappella setting of Psalm 144, 'What is a man that you even notice him?'

Instrumentation: Violin 1, Violin 2, Viola, Cello, Bass, and Score

O Heiland, reiß die Himmel auf' from Two Motets Op. 74. This motet is based on the old German Catholic song of the same name. For SATB Choir A Cappella. English and German texts.

English only.

The Erich Schmid Edition - at the same time part of the Berliner Schule Edition edited by Ludwig Holtmeier - aims at presenting all sixteen opus works of the Swiss composer Erich Schmid (1907-2000) in...

The poem 'Over All the Mountain Tops is Peace' by Goethe as well as Lermontov's 'Gornye ver(s

Rachmaninoff himself considered his Vespers, also known by the title All-Night Vigil, to be one of his best compositions. The work is based on centuries-old Orthodox chants with their strict liturgic...

Rachmaninoff himself considered his Vespers, also known by the title All-Night Vigil, to be one of his best compositions. The work is based on centuries-old Orthodox chants with their strict liturgic...

Rachmaninoff himself considered his Vespers, also known by the title All-Night Vigil, to be one of his best compositions. The work is based on centuries-old Orthodox chants with their strict liturgic...

Rachmaninoff himself considered his Vespers, also known by the title All-Night Vigil, to be one of his best compositions. The work is based on centuries-old Orthodox chants with their strict liturgic...

Rachmaninoff himself considered his Vespers, also known by the title All-Night Vigil, to be one of his best compositions. The work is based on centuries-old Orthodox chants with their strict liturgic...

This motet for mixed choir a cappella interweaves newly composed variations of Brahms' folksong In stiller Nacht with a musical setting of the Passion events from the New Testament, with the experienc...

Das 'dritte Schöpfungswort' des Titels bezieht sich auf Verse aus Rilkes Stundenbuch, welche die Furcht davor bekunden, was Gott nach 'Licht' und 'Mensch' wohl noch an heiklen Experimenten einfallen w...

Gemischter Chor a cappella Chorpartitur Texter: Kipling, Rudyard Schwierigkeitsgrad: schwer Band/Reihe: CHORAL VIVACE

Nach einem Marienlied aus dem 15. Jahrhundert auf eine Melodie aus dem Andernacher Gesangbuch (Köln 1626) und einen Text von Daniel Sudermann (um 1626)

Die 17 Chorsätze für gemischten Chor wurden von Fanny Hensel 1846, ein Jahr vor ihrem Tod, komponiert. Sie legte Tex­te von Lenau, Geibel, Goethe, Uhland, Eichendorff und Wilhelm Hensel zugrunde. Nebe...

Die 17 Chorsätze für gemischten Chor wurden von Fanny Hensel 1846, ein Jahr vor ihrem Tod, komponiert. Sie legte Tex­te von Lenau, Geibel, Goethe, Uhland, Eichendorff und Wilhelm Hensel zugrunde. Nebe...

Die 17 Chorsätze für gemischten Chor wurden von Fanny Hensel 1846, ein Jahr vor ihrem Tod, komponiert. Sie legte Tex­te von Lenau, Geibel, Goethe, Uhland, Eichendorff und Wilhelm Hensel zugrunde. Nebe...

Die 17 Chorsätze für gemischten Chor wurden von Fanny Hensel 1846, ein Jahr vor ihrem Tod, komponiert. Sie legte Tex­te von Lenau, Geibel, Goethe, Uhland, Eichendorff und Wilhelm Hensel zugrunde. Nebe...

Die 17 Chorsätze für gemischten Chor wurden von Fanny Hensel 1846, ein Jahr vor ihrem Tod, komponiert. Sie legte Tex­te von Lenau, Geibel, Goethe, Uhland, Eichendorff und Wilhelm Hensel zugrunde. Nebe...

O Heiland, reiss die Himmel auf' from Two Motets Op. 74. This motet is based on the old German Catholic song of the same name. For SATB Choir A Cappella. English and German texts.

For SATB Choir A Cappella.

From Four Double Choruses for Mixed Voices, A Cappella by Robert Schumann Op. 141.

An evocative work that appeals various psychological levels. One first experiences the vowel 'a' developing from the initially hummed singing, without verbal form. Then the singing assumes a polyphoni...