Spartiti medio per Coro misto

E. E. Cummings' poem i carry your heart could be read as a marriage vow, a joyous ode to a newborn, or even a eulogy to a lost love…it is adaptable to all kinds and levels of love. This setting is gro...

Henry Mollicone wrote Now I Can See the Light! for the Choir of the Stone Church of Willow Glen, Nancy Wait Kromm, director. Set to a text by the pastor at Stone Church, Rev. Ken Henry, this anthem is...

Featuring a text from Proverbs 31:25 30, She That Feareth the Lord is a lyrical setting extolling the virtues of being a woman who is faithful to God. Useful for any service highlighting the role of w...

Composed employing the harmonic vocabulary of Herbert Howells, this setting of the Te Deum was commissioned for the inauguration of the new organ at Ladue Chapel Presbyterian Church in St. Louis, Miss...

The text of Forever Toward You is a translation of a poem by Rainer Maria Rilke (1875 1926) from The Book of Monastic Life. Rilke's poem speaks of a desire to encounter the Creator-the You in the titl...

The Rose Led Us to Our Eyes is a setting of a text by poet Ghalib (1797 1869) as adapted by the composer. The music is relatively uncomplicated and mellifluous.

A modern setting of the well-known and pensive text from Lidley's Prayers. The overall mood is plaintive and atmospheric, with dissonant and distinct harmonies throughout, portraying the penitent and...

The composer has created a new musical setting based on Josiah G. Holland's well known text 'There's a Song in the Air. ' The opening introduction depicts the twinkling stars and beautifully captures...

This movement from Songs for the Journey has a text adapted from the poem 'Epitaph' by Merrit Malloy, 'When all that's left of me is love, give me away. ' Duration: 3:00

This final movement of the larger work Songs for the Journey is set to the traditional blessing, 'May the road rise up to meet you. '

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale ™s poem, After Love, -There is no magic any more, establishes the theme of vanishing love. Stephen Chatman ™s setting of the poignant text, in the dark key of D flat...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The texts for this set of three songs are mostly from the 19th century, but the sentiments are ageless. The special imagery in each of the poems finds its way into the musical setting. Evening Song fe...

Part of the collection Love Shall Live Forever. 'She Walks in Beauty' begins with a piano introduction allowing time to enter the poetic world of Lord Byron. A simple melody is accompanied by steady,...

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swa...