Spartiti medio per Coro misto

The Salve Regina, also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Sa...

Written in an emotionally appealing twenty-first century style, Glow is written to a haunting and transcendent text, concluding with, 'I feel the whole earth listening, like humming birds beating in m...

This work features a soprano solo while the ensemble supports with lush harmonies. This setting is a rewarding challenge for senior high and adult choirs.

Ricco nel suo trattamento armonico, questo lavoro è accessibile per i cori delle scuole superiori e gratificante da cantare per i cori più grandi.

Un nuovo arrangiamento dalla mente creativa di Stacey Gibbs. Questo accessibile spiritual afroamericano è un brano divertente ed energico che funziona bene come chiusura di un concerto.

Dalla "Trilogia del Solstizio", questo brano è un'ottima aggiunta per i concerti invernali dei cori avanzati delle scuole superiori e delle università. Il suo tempo allegro e le sue complessità ritmic...

Phyton, le mervilleus Serpent' is an a cappella trio for a soprano, mezzo-soprano/alto, and tenor containing two song selections comparing a serpant's wrath to a bewitching woman's charm. The lyrics c...

An arrangement of the second movement of Stephen Chatman's A Song of Joys. The piano accompaniment replicates pitches within an extensive set of Chinese bao gongs featured in the original version. The...

American blues icon Ruthie Foster released Mama Said on her 2007 recording The Phenomenal Ruthie Foster. The lyrics are a mother ™s advice to her daughter, warning her to -learn how to pray and to -fa...

A haunting setting which is definitely for a reflective, memorial or commemorative type of occasion. The text is by Alfred, Lord Tennyson and is set for SATB chorus (unaccompanied, no divisi.) D minor...

Psalm 23 is dedicated to the memory of Carolyn Argento (1930-2006).

If Ye Love Me was composed as a reflective commentary on the well-known motet by Thomas Tallis (1505 1585). Homophony predominates in the first section but with clusters rather than the traditional ha...

This gentle life lesson and setting begins with the chorus acting as accompaniment to the soloist. Then the sopranos pick up the mantle of the soloist and the chorus sings the words together. The fina...

This setting pokes fun at all of the ways in which phrases about money are 'coined. ' The music is appropriately uncomplicated, and nearly always homophonic.