Spartiti medio per Coro misto

Nel suo brano For our planet, l'insegnante di musica e compositrice Tina Ternes utilizza sia la musica che il testo per ricordarci di trattare il nostro pianeta con cura e rispetto. Ha creato un'emozi...

Nel suo brano For our planet, l'insegnante di musica e compositrice Tina Ternes utilizza sia la musica che il testo per ricordarci di trattare il nostro pianeta con cura e rispetto. Ha creato un'emozi...

Never too small della compositrice e cantautrice Aya Sivan è scritta nello stile di una vivace ballata pop. Il testo incoraggia tutti a prendere posizione a favore della protezione del clima e dell'am...

Never too small della compositrice e cantautrice Aya Sivan è scritta nello stile di una vivace ballata pop. Il testo incoraggia tutti a prendere posizione a favore della protezione del clima e dell'am...

Contrasting Rhythmic & Legato Sections Along With The Use Of Changing Meters Allow The Music To Express The Meaning Of The Lyrics, Which Tell Of The Power Of Music & How It Can Affect Our Lives. Grade...

Stand By Me has enjoyed unceasing popularity ever since its original release by Ben E. King in 1961. This three-part choral arrangement by Mark De-Lisser was sung by ACM Gospel Choir on the BBC's 2008...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

Cecilia, Busy Like a Bee is a reflective setting of a text adapted from the Divine Office for St Cecilia's Day. The influence of plainchant is particularly apparent in the soprano solo, and McDowall i...

This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on...

Chilcott's arrangement of 'Viens par le pre', a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Vi...

Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 Thessalonians, and 1 John. It moves from an unse...

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated 17th-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and the ori...

Victimae paschali laudes is an atmospheric arrangement of the traditional plainsong melody for this Latin text for Easter Sunday. Changing metres enable an authentic presentation of the plainsong styl...

Lightly come or lightly go is a playful setting of James Joyce's poem of the same name for SATB double choir. The second choir carries the titular words as an arching ostinato, while choir one present...

This lavish arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a...

Written to commemorate the centenary of the foundation of the International Federation of the Red Cross and Red Crescent Societies, Brightest Star sets a powerful text by Seán Street. The poem describ...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons. With...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

Setting words by the composer, One of these days is an affirmatory piece with pop-inspired rhythms and harmonies. The scat syllables and repeating patterns of the lower parts provide a rich cushion fo...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...