Spartiti medio per Coro femminile

With a driving gospel beat, unison lines, close parallel harmonies, and syncopated rhythms, this contemporary original work is richly rooted in the African-American gospel tradition. An excellent sele...

A great setting of the classic hymn text by Adelaide a Pollard.

Great for just about any choir, this delightful new Christmas octavo has original words and music by Matthew Armstrong.

This is a memorial work for treble voices with piano and C instrument. From an anonymous text, the work is a moving crossover between the secular and sacred.

Looking for a piece for the women in your church choir? This energetic work is truly full of life and excitement. Give it a try on music ministry Sunday. Originally for mixed chorus (HMC1900)

Though not the tune that we normally associate with this text, this one is truly beautiful. For women's voices with piano, the work is also available for mixed voices (HMC1539) or in a wonderful setti...

Originally written for mixed voices (HMC1940), Larry Shackley provides us with a very effective treble chorus voicing. This beautiful lyric melody would be great for lessons and carols, Christmas Eve,...

Many of you have known the sacred music of David Schwoebel for quite some time. This is his first published secular work. Based on a text by Elizabeth Barrett Browning, the piece is scored for SSAA tr...

Scotland has given us a trove of folk tunes. Loch Lomond is one of the most popular. Here, Anne-Marie Hildbrandt beautifully captures the spirit of the piece and sets it for treble chorus in three-par...

Thomas Bell has set this Swedish melody for treble chorus with piano. The accompaniment 'ripples' up and down the piano imitating the movement of water and the chorus sings above as if sailing on the...

Based on Isaiah 55:1-2, this piece truly captures the energy of the text. Scored for SSA voices with piano and optional side drum, the piece would be a great spring concert opening. Lots of fun!

The traditional Irish tune Denis Delaney is arranged here for treble choir (SSA) with piano and fiddle. Set to the traditional liturgical text, composer Dan Rash really captures the spirit of the Iris...

Now this piece is really fun! Scored for treble chorus (SSA) with piano and optional string bass and drum set, the musical style hearkens to an earlier time but still speaks to us today. Your female s...

Rene Clausen's All That Hath Life And Breath Praise Ye The Lord! arranged for SSAA voices by Ronald R. Weiler II.

A delightful adaptation of Mascagni's Chorus from Cavalleria Rusticana for Treble Voices with Piano accompaniment, adapted and with words by Sigmund Spaeth. In its original operatic setting it is a t...

Arranged for SSA Choir and Piano by Hawley Ades.

Quiet and relatively short in duration, this a cappella work is pensive and wonderfully expressive. Often selected for performance in contests and festivals, it has earned its reputation as a 20th cen...

The wonderful How Lovely Are The Messengers, taken from the Oratorio St. Paul. Arranged here for Soprano, Mezzo Soprano and Alto Voices with Piano accompaniment by Max Spicker.

Version for Upper Voices and Organ.

Collected, adapted and arranged by John Jacob Niles and Lewis Henry Norton. This version of the Appalacian Carol is for SSA (Upper Voices) with Piano.

Version for Medium Voice and Upper Voices.

Version for Upper Voices as arranged by Carl Deis.

From the Oratorio 'Elijah'. For Three-Part Chorus of Women's Voices with Piano.

This well-loved American Hymn dates from the 19th century, when the practice of shape-note singing was widespread throughout the country as a way of teaching every citizen to read music and vast outdo...

For Three-Part Chorus of Women's Voices (SSA) with Organ or Piano Accompaniment. Edited from the autograph score by Reinhard G. Pauly with a choice of Latin or English text.