Spartiti medio per Canto

A delightful collection of Five Sixteenth Century Poems set to music for Voice and Piano by John Ireland. These songs vary from the lively and spirited to the lilting and elegiac, and serve as a wonde...

Song for Males Voices, from Purcell's The Fairy Queen

Betty Botter's Butter and Moses' Toeses, set for Voice and Piano by Anthony Foster.

From the film 'Sanders of the River'.

A cycle of traditional Celtic songs for Voice and Piano accompaniment.

Also known as Cancion Del Fuego Fatuo. For Voice and Piano.

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Five French folk songs arranged by Anthony Hopkins for piano and voice.

Version for Voice and Organ with optional Trumpet.

16 french songs with notes by Roger Nichols May.

Easy popular pieces for young singers, selected and arranged by Olga Lantham and Jerry Lanning. This collection of 13 popular melodies has been carefully arranged and graded to provide attractive teac...

Lord Berners' songs come from two periods. First, the years just after the First World War, when his music was in the vanguard of new developments, and secondly his later years, when he was more conce...

This is a setting of So sweet love seemed with text by Robert Bridges (1844-1930).

Hymns and Carols for Worship is a collection of some of the world's finest hymns and carols, delightfully arranged in fresh settings. Written with the intermediate vocalist in mind, this product is de...

Donizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

The Centaurs, with words by James Stephens, was composed in February 1942 by William Busch at the beginning of a burst of song composition that lasted two years and produced over 15 works. The Centaur...