Spartiti medio di Walrus Music Publishing

The flutes state the melody in this pretty bossa nova, which demands your best soloist to elegantly negotiate it's appealing chord changes. Sax doubles. As recorded by the Gordon Goodwin Big Phat on '...

Far From East' is based on the chords to 'Isfahan.' The feel alternates between swing and Afro-Cuban 12/8 throughout. The original sextet instrumentation is alto, tenor, trumpet, piano, bass, and drum...

Medium bossa (112bpm) - This Jobim tribute features a lyrical melody and textures inspired by Claus Ogerman's orchestral collaborations with Jobim. Solo changes written in all parts, backgrounds are c...

In the jazz life over the years this wonderful song by Kurt Weill (1944), has more often than not been played at a fast tempo. This chart is quite slow (quarter note = 108) with a 12/8 feel. This orch...

Altered blues, this funky shuffle features the Sax section & full ens, w/extreme dynamic changes.

A soft bucket muted brass sounding characterizes this gentle waltz. Subtle shadings & close voicings challenge players.

This is a colorful tone-piece, slow in tempo, and orchestral in nature. Starting in piano, then progressing to woodwinds, finally reinforced in the brass, the intricate and angularly dramatic theme, c...

A ballad featuring lead alto sax, this lovely tune is based on the form and changes of the well known standard 'The Midnight Sun Will Never Set.' Written in 2016 for the Salt Lake City Phoenix Jazz Ba...

Far From East' is based on the chords to 'Isfahan.' The feel alternates between swing and Afro-Cuban 12/8 throughout. The original sextet instrumentation is alto, tenor, trumpet, piano, bass, and drum...

Tenor sax ballad feature. Intensity & sensitivity go hand in hand. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

Bossa nova featuring sax section melody, alto bridge, tenor cadenza. Some sax dbls.

Medium up-tempo D-flat major blues (half note = 108) scored for Count Basie (and partially dictated by the Count himself) around 1060, somewhat imitating the Basie Band style of the 1940's, with brass...

Bluezy waltz of this classic featuring tenor sax. Key F major. Trumpet 1 highest note: High E. 5,4,4,P,B,D.

Add some spice to your next holiday concert with a mambo treatment of the traditional holiday holiday classic, O Christmas Tree. No solos. Trumpet range G top of staff. 5/4/4/G,P,B,D. Pn, bass and dru...

These two standards are cleverly arranged both independently and then together in their original key of F major. Not only do both share the same key, they share the same opening notes, phrases and mel...

Though written in 1917 by Art Hickman in the ragtime era, it became immensely popular as a swing standard after the 1939 recording by Benny Goodman and his sextet which also featured (for the first ti...

Song featured in OSCAR Winning Best Picture, '12 YEARS A SLAVE'. One of the Very First Spirituals, first published in 1865. JORDAN was a Slave code word for the OHIO RIVER. (If you got across..you wer...

Fun, moderate rock arrangement of a Gospel Classic. Cooking, Funky Bass-Line is the foundation for this arrangement. Tune used in the film: SEE NO EVIL, recorded by: Ray Stevens and Elvis. Solos for T...

An intermediate level big band arrangement. Scored for five saxes (AATTB), four trumpets, four trombones, piano, guitar, bass and drums. The trumpet range goes up to the G just above the staff. This i...

BOSSA NOVA Orchestration for Brass on one of the most famous hymns. Recorded by; MAHALIA JACKSON, AL GREEN AND ELVIS. It is most famous as the alleged last song the band on RMS TITANIC played before t...

This trumpet feature ballad is a jazz tone poem written in memory of Ashley Alexander and inspired by the last movement of Death and Transfiguration by Richard Strauss. An expressive meditation, the s...

An emotional ballad feature for trumpet/flugelhorn written to remember Mechelle Hawk. The soloist plays the melody on flugelhorn over lightly but colorfully scored backgrounds, then improvises over th...

This broken shuffle comes straight out of the 1950's style of Art Blakey. This is a great feature for trumpet and tenor, as they state most of the melody and are featured as soloists. The harmony is f...