Spartiti medio di Southern Music Company

This highly effective setting of the well-known spiritual is perfect for your developing men's choirs. A traditional African American Spiritual arranged for men's chorus by renowned choral director an...

This piece for saxophone quartet (AATB) opens with the ballad, moves to the waltz section, and closes with a return to the ballad theme. The harmonic language for both sections is rooted in common jaz...

This intermediate arrangement is for string orchestra or string quartet with optional bass.

This programmatic piece is based on the legend told in the Ozark Mountains in Arkansas. As an actual fact, two children did disappear in that area in 1940. According to that legend, the children, havi...

This tone poem for concert band is inspired by the Ouachita River of Arkansas and Louisiana.

This tone poem for concert band is inspired by the Ouachita River of Arkansas and Louisiana.

Chorales included: I. A Rose is Blooming (Es ist ein' Ros' entsprungen), II. O World, I Now Must Leave Thee (O Welt, Ich muss dich lassen).

Chorales included: I. A Rose is Blooming (Es ist ein' Ros' entsprungen), II. O World, I Now Must Leave Thee (O Welt, Ich muss dich lassen).

European Parts

Although it was a fascinating caprice in orchestration and provided the composer of the opera 'L'Elisir D' Amore' with a great amount of fun at the expense of the bassoon players of his time, the bril...

This arrangement by Arthur Ephross for flute choir is from 'Manzoni' Requiem. The vertical rhythms and homophonic writing allows an ensemble of intermediate players to focus on intonation and blending...

Originally scored for flute, strings and two French horns, this edition for flute and piano was revised and transcribed by Ary Van Leeuwen, who also wrote the cadenzas. The edition for solo flute with...

This traditional Classical interpretation of the Concerto in D, K. 314 (285d), for flute and orchestra is by Ary van Leeuwen, and also included three cadenzas by Joachim Andersen and three cadenzas by...

Originally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flu...

Originally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flu...

This arrangement by Arthur Ephross for flute choir is from 'Manzoni' Requiem. The vertical rhythms and homophonic writing allows an ensemble of intermediate players to focus on intonation and blending...

In this arrangement of Brahm's song, titled 'Wie Melodien Zieht Es Mir' (How Melodies Draw Me), James Thornton has passed the unison melody to all setions of the woodwind bnd. This will give the direc...

In this arrangement of Brahm's song, titled 'Wie Melodien Zieht Es Mir' (How Melodies Draw Me), James Thornton has passed the unison melody to all setions of the woodwind bnd. This will give the direc...