Spartiti medio di Southern Music Company

John Philip Sousa's favorite encore piece composed by long-time trombone soloist with the Sousa Band, Arthur Pryor, is now available scored for modern bands. Program this charming selection on your ne...

John Philip Sousa's favorite encore piece composed by long-time trombone soloist with the Sousa Band, Arthur Pryor, is now available scored for modern bands. Program this charming selection on your ne...

John Philip Sousa's favorite encore piece composed by long-time trombone soloist with the Sousa Band, Arthur Pryor, is now available scored for modern bands. Program this charming selection on your ne...

Gottfried Sonntag was bandmaster of the 7th Bavarian Infantry Regiment at Bayreuth when he composed this march based on motives from Richard Wagner's 'The Ring of the Nibelung.' 'Nibelungen March' was...

Gottfried Sonntag was bandmaster of the 7th Bavarian Infantry Regiment at Bayreuth when he composed this march based on motives from Richard Wagner's 'The Ring of the Nibelung.' 'Nibelungen March' was...

With admiration and respect, the Wisconsin Chapter of the College Band Directors National Association dedicated SONGS WITHOUT WORDS to James Arrowood, professor emeritus at the University of Wisconsin...

With admiration and respect, the Wisconsin Chapter of the College Band Directors National Association dedicated SONGS WITHOUT WORDS to James Arrowood, professor emeritus at the University of Wisconsin...

With admiration and respect, the Wisconsin Chapter of the College Band Directors National Association dedicated SONGS WITHOUT WORDS to James Arrowood, professor emeritus at the University of Wisconsin...

The first movement ('Air') should be performed in a very romantic style. The second movmement ('Dance') can be performed alone for the opening of a concert. This piece was commissioned by and is dedic...

The first movement ('Air') should be performed in a very romantic style. The second movmement ('Dance') can be performed alone for the opening of a concert. This piece was commissioned by and is dedic...

The first movement ('Air') should be performed in a very romantic style. The second movmement ('Dance') can be performed alone for the opening of a concert. This piece was commissioned by and is dedic...

Ritmico is a dynamic contest style overture that joins florid melodic writing with a pulsing percussion and driving bass lines. Cast in ABA form, the main vivace theme gives way to a lyrical cantabile...

Despite his having moved to the United States with his family when he was 11 years old, Robert Nathaniel Dett (1882-1943) was born in Canada where glimpses of his talent had already begun to manifest...

This publication marks the first-ever symphonic wind band edition of the Dance of the Knights, from Scene 2 Capulet's Ball of Prokofiev's ballet Romeo and Juliet. [The ballet] led to one of the most b...

This three-movement piece for brass choir adopts the fast-slow-fast form, with the third movement a recapituation of the 1st.

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

Originally written by Haydn around 1782 (Hob. II:46) for two oboes, three bassoons, contrabassoon and two horns, this transcription for clarinet choir is by Robert W. Hindsley. The Divertimento has fo...

This processional from Wagner's well-known opera 'Lohengrin' has been arranged for small wind ensemble by R. Mark Rogers. Detailed Instrumentation: 1 player per part: 2.1+EH.2(1dEb).2+Cbsn: 2.4.3.1

An arrangement of Mozarts 'Andante in C' for flute and orchestra (K315), this arrangement can be played with the accompaniment of C flutes only (with low B). However, the full isntrumentation includin...

An arrangement of Mozarts 'Andante in C' for flute and orchestra (K315), this arrangement can be played with the accompaniment of C flutes only (with low B). However, the full isntrumentation includin...

This Agnus Dei is from Faure's 'Messe de Requiem', and is written for 4 standard flutes (octave divisi in the 1st flute), alto flute, bass flute, and piano. The beautifully expressive version for flut...