Spartiti medio di Southern Music Company

Capriccio è la terza composizione di James Barnes nata da una commissione della Zushi High School Alumni Band della Prefettura di Kanagawa, in Giappone. È un brano allegro e spensierato in forma di ro...

Lo spirito di avventura è accuratamente rappresentato in questo tour de force di grado 3. Il brano ha tutti gli elementi che piacciono agli esecutori e ai direttori d'orchestra: suoni audaci e armonie...

Scritto nel 1916, THE AMERICAN COLORS è una spruzzata patriottica e vivace di Americana. È molto originale e, come spesso accadeva all'epoca del compositore, cita COLUMBIA, GEM OF THE OCEAN nel Trio.

Evocativo e retrospettivo, MOONSET è un lavoro molto originale per banda da concerto. Esplora i paesaggi sonori in modo unico e costituisce un'opera eccellente per concorsi o festival o semplicemente...

Sousa composed this march at the request of his nephew, who was sponsoring his uncle's entrance into the Ancient Arabic Order of Nobles of the Mystic Shrine in 1922. The following year, the march rece...

GLENDOWER è una deliziosa marcia in 6/8. Presenta alcuni colpi di scena dinamici che terranno gli esecutori sulle spine e il pubblico pienamente coinvolto nell'esecuzione. È una meravigliosa aggiunta...

Pubblicato originariamente nel 1961, THE BAND OF BANDS è stato composto per i Wisconsin Band Masters. Lo stile è unico, con melodie fantastiche e interessanti cambi armonici. È un meraviglioso cambiam...

Was written at the suggestion of and as a tribute to the United States Strategic Air Command. Two editions of the Strategic Air Command March are published: the complete Concert March version, and a q...

Like all concert marches, as distinct from the march intended to accompany marching groups of people, this piece differs from the traditional form, instrumentation and musical elements found in its pr...

This piece is one of two marches attributed to Bruckner often performed by contemporary bands, though evidene suggests that it was actually written by another of Otto Kitzler's students, Bela Keler. R...

Hermann Ludwig Blankenburg (1876 - 1956) was a German composer of military marches, and is likely the most prolific march composer in history (1328 in total), preferring to compose when inspiration st...

This march in 6/8 was commissioned by All My Friends in The 312th U.S. Army Reserve Band.

Stirling Castle stands at the gateway to the Highlands of Scotland, and is the home of one of Britain's most famous regiments, the argyll and Sutherland Highlanders, in which Major J. H. Howe. Written...

Part of the New Sousa Band Editions, celebrating the compositions and performance practices of this American composer and his legendary band. This piece was originally commissioned by Judge Kenesaw Mo...

Eighty-seven daily and technical studies and repertoire include: 18 Studies (Ferling, Op. 12), Grandes Etudes and Second Cantilene (A. M. Barret), Sheperds of Provence - duet in four movements for obe...

This collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn th...

MODAL WALTZ: Moderate swing in 3/4 that employs the C and F dorian modes. 4. FULL CIRCLE WITH SAX UNISON: Chords in the circle of fourths (key: F Concert), with a unison sax line to aid tuning. 5. BON...

This beautiful piece is a wonderful showcase for an advancing player's lyrical ability, where even the more technical section remains melodic. Versions for flute, alto flute, oboe, alto saxophone, ten...

This Adagio (from Sonata No. V) and Allegro (from Sonata No. III) by Galliard was originally written for bassoon (or cello) and continuo and has been transcribed for bass clarinet and piano by Lyle Me...

The 'Allegro Spiritoso' is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass...

This composition serves as an appropriate early piece of music for the trombonist transitioning to bass trombone, with stepwise movement through the bass trombone range and no note lower than pedal Bb...

Featuring multiple mallet changes, most of this solo for marimba and piano is played with two mallets, though sections incorporating four-mallet technique are also featured.