Spartiti medio di Schott Musik

Dessau's String Quartet movement was written while he was also working on Brecht's opera Puntila. After Brecht's death in 1956 Dessau found himself looking for a new direction. On the one hand he was...

Paul Dessau described his Third String Quartet, begun at Laguna Beach near Los Angeles in 1943, as predominantly lyrical. The song-like, melodious main theme of this one-movement work emerges from a s...

The next I'll do is 3 violin quartets wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: The thought of the quartets gives me pleasure. The piano is getting to...

In his second string quartet the composer Harald Weiss counters our fast-moving time with a work on silence and concentration. Rubatos, fermatas and little caesuras are added to simple note values - l...

The present arrangement is of practical use for small string ensembles in particular to study the polyphony of Bach.

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

Stimmensatz - Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Violoncelli/Kontrabässe

This edition was arranged for today's music-mak-ing practice allowing the instrumental enlargement by adding various wind instruments to the simple string scoring.

Streicherstimmensatz

Stimmensatz - je 1x Violine 1 bis 8, je 1x Viola 1 und 2, je 1x Violoncello 1 und 2, 1x Kontrabass

L'opera descrive il "grido" in modo sfaccettato: Il grido di attenzione, ancora generale e simile a una fanfara, diventa il "grido di rabbia", poi un grido di desiderio, il "grido d'amore", seguito da...

L'opera descrive il "grido" in modo sfaccettato: Il grido di attenzione, ancora generale e simile a una fanfara, diventa il "grido di rabbia", poi un grido di desiderio, il "grido d'amore", seguito da...

Con il tardo periodo classico, i compositori cominciarono a desiderare di fissare le cadenze dei concerti solistici in modo fedele alle note e non lasciarle unicamente al libero spirito virtuoso del s...

Caprices for solo violin have a long tradition; the list of collections in which virtuoso violinist-composers archived testimonies of their virtuoso violin art ranges from Locatelli to Paganini, from...

The Spanish violinist and composer Pablo de Sarasate (1844-1908) is one of the most fascinating personalities among the 19th-century virtuosos. The child prodigy received violin lessons at the age of...