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Paul Geremia is possibly the greatest living performer of the East Coast and Texas fingerpicking and slide styles. He has been called a national treasure. John Hammond says that he'd drive a thousand...

Harry Manx has been called an 'essential link' between the music of East and West, creating musical short stories that wed the tradition of the Blues with the depth of classical Indian ragas. He has c...

An exciting new series of 12 instrumental instruction books. Includes complete music for all riffs, licks, hints and tips, plus easy-to-follow instructions, tips and advice. Accompanying CD allows you...

Ten great themes from contemporary movies in melody line arrangements by Simon Lesley with specially recorded backing tracks. Hear full performance versions of all the songs, the instrumental part is...

Often recalled as a decade defined by hippies, free love and social revolution; the 1960s had all that and more besides. As well as Simon & Garfunkel, Bob Dylan, Serge Gainsbourg & Jane Birkin and The...

Mendelssohn wrote the Christian anthem Hear My Prayer in Germany in 1844 and premiered it the next year in London. William Bartholomew wrote the English lyrics as well as collaborating with the compos...

For Unison Voices and Piano.

Adapted for two-part choir by Henry Geehl. Ashdown vocal duets series no. 114.

A setting of Psalm 150 for Voices in two parts and Piano.

Arranged for Two Voices and Piano by Henry Geehl.

For two-part choir and Piano.

In the canon of American song, no name comes ahead of Stephen Foster. The 19th century composer wrote nearly 300 songs, creating some of the US's best-known songs, among them Camptown Races, Swanee Ri...

The Ave Maria, with its serene, meditative Vocal line and restrained accompaniment expresses the composer's own Roman Catholic devotion. In this arrangement the solo Soprano Voice is allowed an entire...

Arranged for 2-Part Choir and Piano by Henry Geehl.

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, edited by Henry Geehl, for 2-part upper voices.

A short pastoral duet for voices, with a Piano accompaniment for reheasal purposes only.

These two spirituals -- Steal Away and Were You There? -- have become staples in the gospel repertoire and have been skillfully and sensitively combined into a quodlibet for male Voices with Piano acc...

The words of Helen Taylor paired with Liszt's Liebestraum. Arranged for 2-Part Choir and Piano by Henry Geehl.

Come to the Fair was taught and sung extensively throughout the twentieth century in England and abroad, having been first published in 1917. It has a charming tune whose allargando at the beginning o...

This duet for High and Low voices by Easthope Martin is a lively country-dance setting of a text by Helen Taylor with full Piano accompaniment.

The popular and lively Christmas carol arranged for 2-part choir with Piano accompaniment by Henry Geehl.

Version of 2-Part Choir and Piano.

A setting of this Negro Spiritual for 2 Voices and Piano. Arranged by W. R. Pasfield.

Arranged by Laurence H. Davies for 2 part choir and piano.

A Two-Part Song Arranged for Two Sopranos and Piano.