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Questo arrangiamento della STAR SPANGLED BANNER per banda intermedia è stato creato con un obiettivo educativo più profondo. La partitura e tutte le parti includono supplementi e valutazioni didattich...

Questo arrangiamento della STAR SPANGLED BANNER per banda intermedia è stato creato con un obiettivo educativo più profondo. La partitura e tutte le parti includono supplementi e valutazioni didattich...

This is a very accessible concert march from one of America's most prolific writers for band. The stately tempo and Spanish-flavored melodies make for excellent opening material for your concert.

Three traditional hymn tunes are presented in this Robert Longfield arrangement, At the River. The treatment shows both a traditional and creative approach yet retains the vocal majesty that made the...

A highly original, yet stylistically correct and appropriate march, The Basses Are Loaded by Kelly Bennette is a tongue-in-cheek word play on a situation in our national game of baseball. As might be...

A suite of Scottish folk songs, Echoes from the Highlands is a suite of three Scottish Folk Tunes arranged by Albert O. Davis that has the beautiful and memorable melodies. Rich, too, in historical re...

Fortitude by Ronald C. Knoener is as much a processional march as it is a fanfare. The theme is of a bold, fanfare nature but it is followed by a secondary theme of a melodic style that will please th...

Spooky and creepy are winners every time! A minimalist excursion to the dark side, Graveyard Shift by Chris Campbell manages to strike a terrific balance between horror and humor. Your students must c...

An excellent choice for concert or festival performance, Honor and Epitaphs by Clarence E. Barber is a melodic and rhythmic delight. There is a brief duet between cornet and euphonium, and an active a...

Another fine but unusual march from Robert Spicer, Mr. C's Very Bad Day is an excellent 6/8 selection that is both a training work and a fabulous concert or festival program addition. (3:00)

La Celebration and Ceremonial March è stata composta da Clarence E. Barber per un consorzio di bande scolastiche di diversi livelli, quindi è stata costruita tenendo conto di una certa flessibilità. A...

The Chef Club March è stato originariamente pubblicato in diversi arrangiamenti, ma tutte le parti orchestrali, tranne una manciata, sono andate perdute nella storia. Questa trascrizione di Luci Disan...

Le deliziose melodie che compongono Invasion of the Unicyclists piaceranno a tutti. Il luminoso metro di 6/8 conferisce un'atmosfera piacevole a questo lavoro tradizionale, ma molto originale, di Kell...

Karl King non ha scritto solo marce. Ha abbracciato la musica del suo tempo e l'ha incorporata nei suoi scritti. Questo delizioso brano è dedicato all'amico Charles Rozell, batterista ragtime.

John Philip Sousa himself was a fan of the music of this important African-American composer. Cave of the Winds is an inventive and highly original march scored for band by Percy Grainger expert Dana...

The result of a commission from the St. Edward High School Band (Lakewood, OH) for their performance at Severance Hall, Of Dreams and Destiny by Clarence Barber speaks to the dreams of students for th...

Young players enjoy playing in minor keys because they are often filled with excitement and drama. This melodic new work capitalizes on that fondness for minor keys and has all the energy and drama th...

Evoking "jog trot" images and moving steadily from beginning to end, this wonderful tune is classic Grainger. This arrangement of the Joseph Kreines edition of Mock Morris for flexible instrumentation...

For trumpet or flute quartet and band, Cascading Trumpets by Albert O. Davis is a bright, shimmering cascade of excitement. Scored to allow either ensemble to be heard well, both band and ensemble par...

Un pezzo per trombone in stile Ragtime, Mournful Maggie è l'unica novità per trombone pubblicata da Karl King (1923). È stata composta prima del 19 giugno 1922, poiché è stata eseguita in un concerto...

Ticonderoga è l'unica opera che Leroy Anderson ha composto esclusivamente per banda, il che è certamente strano visti i suoi inizi come direttore di banda ad Harvard. Abbozzato per la prima volta nel...

While John Philip Sousa was not entirely a slave to formulaic marches (in this march, for example, the introduction is an unusual twenty measures long), he did believe that marches should be paced at...

Columbian is one of King's great mid-level marches. Composed early in his career, it is brimming with all of the characteristics which have made his marches favorites with bands for almost a century:...