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Gounod's setting of Psalm 137, arranged by Percy Fletcher for men's voices.

Gounod's setting of Psalm 137, arranged by Percy Fletcher for men's voices. Translated by Dyfnallt Morgan.

Gounod's setting of Psalm 137, arranged by Percy Fletcher for men's voices. Translated by Dyfnallt Morgan.

Written for TTBB choir.

Single sheet for 2 tenor, 2 basses and piano accompaniment.

Arranged for male voices by Granville Bantock.

Vaughan Williams' setting of the traditional English folksong Ward The Pirate arranged for TTBB, with a piano accompaniment for rehearsal purposes.

Vaughan Williams' setting of the English folksong is for men's voices, written in Tonic Sol-Fa notation.

A superb arrangement of Ralph Vaughan Williams' The Turtle Dove for Male Voices (TTBB) with Piano accompaniment.

The traditional Hampshire folksong, arranged for male voices by Gustav Holst. A Piano part is provided for rehearsal purposes only.

Set to words by Robert Burns. A version for Baritone solo/TTBB.

Written for TTBB with Piano for rehearsal only.

Jerusalem has become an unofficial national anthem for England, as it is sung as an enduing tradition at the end of every Prom concert during the season and at the end of many other concerts and civic...

Three entertaining sea songs with text by Pamela Margetson and musical arrangements for men's chorus by Norman Gilbert.

Gounod's setting of Psalm 137, arranged in Tonic Sol Fa.

For an apparent folksong, On Ilkley Moor baht 'at has a very reliable provenance. The tune, Cranbrook, was devised in 1805 by Thomas Clark, a shoemaker of Canterbury and prolific composer of hymns for...

Arranged for piano duet by Maurice Jacobson. Originally written for piano solo, this polka is one of Dvorak's earliest known compositions. This duet arrangement brings the piece within the scope of th...

Version for low voice and Piano. Text: Irene Gass

Martin Shaw's Heffle Cuckoo Fair, composed for Voice with Piano Accompaniment, with words by Rudyard Kipling.

Written for a male voice choir with words by Rudyard Kipling taken from Puck of Pook's Hill.

Reprinted from The Shanty Book 1, compiled and edited by Sir Richard Runciman Terry, this 'Windlass and Capstan Shanty' is presented for voice with Terry's own Piano accompaniment.

A Scottish choral reel arranged from the Celtic dance tune Bodachan A Mhil Anna by J. Geddes Maxwell for mixed chorus. A Piano accompaniment is provided for rehearsal purposes only.

SAB Choir version.

Written for SA soloists, SATB choir and harp (or piano).