Spartiti medio di Chester Music

First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...

First performance on 20th November 2007, at St George's Hall, Liverpool, by Nicholas Cox (Clarinet) and the Chilingirian Quartet, as part of the Rodewald Concert Series.

Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.

Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.

Chapple's Praeludiana is an extended 'celebration' of Chopin's well-known prelude in C minor. First, a fast, flashing sequence of chords moves from manual to manual: next a Stravinskyan barrage of bra...

These variations are based on some of the musical material which Geoffrey Burgon composed for the Granada Television adaption of Evelyn Waugh's 'Brideshead Revisited. '

On 23 June 2013 Peter Maxwell Davies's Capstone, for organ, received its world premiere performance at the City of London Festival. Commissioned by St Paul's Cathedral, Capstone was performed at the C...

Mandēlion was commissioned for the 1982 Dublin International Organ Festival by RHM Foods. It was first performed on the 27th June 1982 by Pete Sweeney, at St. Patrick's Cathedral in Dublin. The piece...

This book gives you everything you'll need to Blitz! the ABRSM Grade 3 Theory exam. It contains: - Everything you need to know (and nothing you don't) for the 2018 syllabus. - More information, revisi...

How To Blitz! ABRSM Theory Grade 4 (2018 Revision) includes everything you'll need to blitz your Grade 4 ABRSM Theory exam.

For solo harpsichord.

Marienhymne is a piece on a smaller scale than Tavener's dramatic cantatas, and is written for unaccompanied choir and semiChorus. Tavener was drawn to writer and philosopher Frithjof Schuon's vision...

The Leopold Serenata is taken from the Secular Cantata written in commemoration of the birthday of Leopold, Duke of Anhalt-Côthen. This serenata is one of the most charming pieces of chamber music wr...

This overture is the opening of the 146th Church Cantata. It is scored for full string orchestra with organ obbligato and is the original form of the first movement of the later and better known Piano...

Extracted from the Final Chorus of Bach's Cantata No. 22. The Chorale is a folk-tune of the 15th Century. The words are by Elizabeth Creutziger (1524). 'Ach wie flüchtig, ach wie nichtig ist des mensc...

Adapted by Walter Rummel from J. S. Bach's original. 'Liebster Jesu wir sind hier.'

Adapted by Walter Rummel from J. S. Bach's original. 'Was Gott tut, das ist wohlgetan.'

Adapted by Walter Rummel from J. S. Bach's original. 'Stürze zu boden.'

Adapted by Walter Rummel from J. S. Bach's original. 'Dich hab' ich je und je geliebt.'

Adapted by Walter Rummel from J. S. Bach's original. 'Mein gläubiges herze, frohlocke, sing, scherze.'

Adapted by Walter Rummel from J. S. Bach's original. Tanzlied des Pan 'Zu tanze, zu sprunge'.

Adapted by Walter Rummel from J. S. Bach's original Cantata 129. 'Gelobet sei mein Gott in alle ewigkeit.' There are two versions of this work printed in this book. One is a simplified version.

One of the most beautiful of all Bach's melodies, is this one taken from the alto aria of the 127th Cantata, and was accompanied by string quartet and oboe. As this accompaniment mainly consists of ch...

This C major Glorioso, 'victory over the dragon, ' was taken from the 130th cantata and is scored for full orchestra (including trumpets and timpani). The number of different voices and counterpoints...

This adaptation is taken from the Bach's 92nd cantata, and was originally written for bass voice and continuo. 'Das brausen von den rauhen winde.'