Spartiti medio di Chester Music

For either SSAA Choir or TTBB Choir. French, Russian and English texts provided.

Two hymns written for unaccompanied choir by Tavener. The first is for SAATBBSAATBB double choir, and is a setting of a text from the Liturgy of St. Basil. The second is for SSATBBB choir and comes fr...

Blow The Wind Southerly is a Northumbrian traditional early 19th century song, possibly with words from a much older source, a haunting tune that has been recorded over the decades by many singers, am...

A setting for Bass Solo and SATB of the Orthodox service of Holy Unction.

Two Nursery Rhymes arranged for Soprano, Clarinet, and Piano.

Full Score.

Written for flute, clarinet, violin, viola, cello and piano. This work was commissioned by the Australia Ensemble with assistance from the Music Board of the Australia Council. It was first performed...

Geoffrey Brace. Adaptation of 'Under The Greenwood Tree' by Thomas Hardy. The musical follows the story fairly closely so directors can feel free to augment dialogue from the original novel if they wi...

Twenty-two well-loved children's songs carefully chosen and arranged for piano of approximately grade 1 standard. The range of songs is perfect for children's voices, making the collection ideal for c...

Selected by Lesley Garrett from her most popular recordings, this collection of her favourite songs reflects the broad range of music she performs. An excellent songbook for any aspiring vocalist, whi...

This version of the work, composed for Children's Voices, Piano and Percussion, was commissioned by the Young People's Chorus of New York City. Text: Peter Porter.

Charlotte Church is one of a small number of artists who successfully crosses freely back and forth over musical dividing lines. The Welsh starlet has performed some of the greatest works in front of...

Written for two clarinets and soprano. It was first performed on the BBC's Pebble Mill on 20 November 1992 by Mary Wiegold and members of the composers' ensemble as part of a concert in aid of Childre...

So we'll go no more a-roving (Byron) A Widow bird sate mourning (Shelley) The knot there's no un-tying (Thomas Campbell)

A Mediterranean, erotic postlude to a time when Davies had been much occupied with setting the Orkney poetry of George Mackay Brown. The voice, though, is the same. The mezzo part is wide-ranging and...

The Wounds was expertly composed by British composer James Whitbourn, for SATB chorus, Speaker, Violin, Cello, and Organ. This product include the full score. James international reputation as a compo...

Score and Parts for Big Band. Jazzamatazz Big Band Sounds for the Younger Set.

This work was first performed on 23rd October 1972 at the Wigmore Hall, London, by Janet Craxton (oboe), Perry Hart (violin), Brian Hawkins (viola) and Kenneth Heath (cello).

This work was first performed on 23rd October 1972 at the Wigmore Hall, London, by Janet Craxton (oboe), Perry Hart (violin), Brian Hawkins (viola) and Kenneth Heath (cello).

The Lamb, a setting for unaccompanied choir of words by William Blake, was first performed by the choir of King's College, Cambridge on 24th December 1982, as part of A Festival of Nine Lessons and Ca...

The Hidden Face is a prayer, for solo counter-tenor, oboe, and a distant group of muted violins and violas. It tries to hold within it a whole tradition with nothing personal or idiosyncratic, as in i...

Written for male voice choir, handbells, Tibetian temple bowl and string quintet.

First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...