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Marc-Antoine Charpentier's Christmas mass, the 'Messe de minuit', is throughly in the French tradition, celebrating the joyful news of the Birth of Christ with cheerful happiness. In this midnight mas...

Mit Pauken und Trompeten à la Marseillaise eroberte 1953 wieder ein französisches ­Musikstück das öffentliche Bewusstsein ("Eurovisionshymne"), und ein Komponist wurde wiederentdeckt: Marc-Antoine Cha...

Oratorium - Zum 150. Todestag von Louis Spohr legt Carus erstmals in einer kritischen Ausgabe Die letzten Dinge, das bedeutendste seiner vier Oratorien, vor. Uraufgeführt wurde es am Karfreitag 1826 i...

In seinem Passionsoratorium Christus am Ölberge gelang es Beethoven einerseits, an eine Tradition des 18. Jahrhunderts anzuknüpfen, andererseits aber auch die aufblühende Gattung des deutschsprachigen...

Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...

Lo stesso Georges Bizet ammise di non avere alcun senso della musica sacra. Ma con l'attuale "Te Deum" il compositore d'opera di successo ha lasciato un'opera affascinante ed espressiva. Dal maestoso...

In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...

Solo SATB, Coro SATB, 2 Fl, 2 Ob, Eh, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Tb, Timp, Große Caisse, Arpa, Perc, 2 Vl, Va, Vc, Cb, Org - erste kritische Edition von Gounods letztem Werk - ausführliches Vor...

During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, among which his Oratorio de Noël has enjoyed great worldwide popularity. The colorful and opulently...

Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...

Come si fa, in qualità di compositrice, a candidarsi per un posto alla corte? Con la propria musica! Quando nel 1810 Luigi Cherubini volle proporsi come successore di Joseph Haydn alla corte del princ...

Come si fa, in qualità di compositrice, a candidarsi per un posto alla corte? Con la propria musica! Quando nel 1810 Luigi Cherubini volle proporsi come successore di Joseph Haydn alla corte del princ...

Come si fa, in qualità di compositrice, a candidarsi per un posto alla corte? Con la propria musica! Quando nel 1810 Luigi Cherubini volle proporsi come successore di Joseph Haydn alla corte del princ...