Spartiti medio Swing

Nel 1977 Stevie Wonder era al suo apice e "Sir Duke" era in cima alle classifiche. Michael Mossman prende questo successo familiare e aggiunge il suo tocco unico. La sezione centrale entra in un doppi...

Nel 1977 Stevie Wonder era al suo apice e "Sir Duke" era in cima alle classifiche. Michael Mossman prende questo successo familiare e aggiunge il suo tocco unico. La sezione centrale entra in un doppi...

Nel 1977 Stevie Wonder era al suo apice e "Sir Duke" era in cima alle classifiche. Michael Mossman prende questo successo familiare e aggiunge il suo tocco unico. La sezione centrale entra in un doppi...

Nel 1977 Stevie Wonder era al suo apice e "Sir Duke" era in cima alle classifiche. Michael Mossman prende questo successo familiare e aggiunge il suo tocco unico. La sezione centrale entra in un doppi...

Nel 1977 Stevie Wonder era al suo apice e "Sir Duke" era in cima alle classifiche. Michael Mossman prende questo successo familiare e aggiunge il suo tocco unico. La sezione centrale entra in un doppi...

Nel 1977 Stevie Wonder era al suo apice e "Sir Duke" era in cima alle classifiche. Michael Mossman prende questo successo familiare e aggiunge il suo tocco unico. La sezione centrale entra in un doppi...

A slow ballad that goes into a double time swing and returns to a ballad for the endimg. This medium level chart is a tenor saxophone feature surrounded by rich harmonies and a lot of colorful musical...

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.