Spartiti medio Sinfonie

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Stimmensatz - Oboe I; Oboe II; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester

This incredibly expressive movement from Mahler's 5th Symphony has been masterfully adapted for young string orchestra by Carrie Lane Gruselle. This work includes a simplified harp part playable on st...

This versatile arrangement is a great showcase for your bass players and also provides an optional harp feature. The famous opening solo can be played in 1st position or thumb position and as a bass s...

Perfectly playable for school orchestras, this is the most famous of Mozart's early symphonies and often considered among his best. Even though he was only 18 years old when he wrote the piece, it is...

Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

Perfect example for an early symphony in the Neapolitan style.

Joseph Bologne, the Chevalier de Saint-Georges, was the first classical composer of African ancestry. Born in the French colony of Guadeloupe, Saint-Georges was taken to Paris by his father to be rais...

Questo arrangiamento è leggermente abbreviato per ragioni di difficoltà, ma contiene comunque tutti i temi originali della famosa sinfonia "Nuovo Mondo" di Dvorak. La tonalità è di mezzo gradino più a...

Questo arrangiamento è leggermente abbreviato per ragioni di difficoltà, ma contiene comunque tutti i temi originali della famosa sinfonia "Nuovo Mondo" di Dvorak. La tonalità è di mezzo gradino più a...

Sinfonie Singulière for Orchestra was composed by Franz Berwald in 1845.

Bisogna vederlo per crederci! Carrie Lane Gruselle ha reso questo grande lavoro accessibile alle orchestre studentesche, pur mantenendo tutto lo spirito e la grinta dell'originale. I passaggi più diff...

Flöte I/II, Oboe I/II, Horn-a I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.