Spartiti medio Sinfonie

Harmoniestimmen: 1. Oboe, 2. Oboe, 1. Horn (in f) 2. Horn (in f) Zu Haydns vielgeliebten und -gespielten Sturm-und-Drang-Sinfonien gehören nicht nur die 'Abschiedssinfonie' (Nr. 45, BA10971) und die '...

Zu Haydns vielgeliebten und -gespielten Sturm-und-Drang-Sinfonien gehören nicht nur die 'Abschiedssinfonie' (Nr. 45, BA10971) und die 'Maria-Theresia-Sinfonie' (Nr. 48, BA10972), sondern auch Meisterw...

Zu Haydns vielgeliebten und -gespielten Sturm-und-Drang-Sinfonien gehören nicht nur die 'Abschiedssinfonie' (Nr. 45, BA10971) und die 'Maria-Theresia-Sinfonie' (Nr. 48, BA10972), sondern auch Meisterw...

Zu Haydns vielgeliebten und -gespielten Sturm-und-Drang-Sinfonien gehören nicht nur die 'Abschiedssinfonie' (Nr. 45, BA10971) und die 'Maria-Theresia-Sinfonie' (Nr. 48, BA10972), sondern auch Meisterw...

Zu Haydns vielgeliebten und -gespielten Sturm-und-Drang-Sinfonien gehören nicht nur die 'Abschiedssinfonie' (Nr. 45, BA10971) und die 'Maria-Theresia-Sinfonie' (Nr. 48, BA10972), sondern auch Meisterw...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.