Spartiti medio Musica sacra e religiosa

Kantate zum 5. Sonntag nach Trinitatis - Für diese Choralkantate übernahm Bach die 1, 4 und 7 Strophe des gleichnamigen Chorals von Georg Neumark. Die anderen Strophen sind dagegen mit freien Nachdich...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

Non esiste un'opera di un contemporaneo a cui Bach abbia lavorato così frequentemente e intensamente come la "Passione di San Marco" di Keiser. Ci sono prove di un totale di tre esecuzioni, per ognuna...

Il Salmo 147 "Lauda Jerusalem" ha un posto importante nell'anno ecclesiastico, anche nei vespri delle feste mariane. L'unica composizione di Antonio Vivaldi di questo salmo vespertino presenta alcune...

A differenza dei due "Regina coeli" K. 74 e 127, che sono segnati per soprano solo e coro, Mozart utilizza il quartetto di solisti in K. 276, che, come nelle messe di Salisburgo, spesso dialoga con il...

A differenza dei due "Regina coeli" K. 74 e 127, che sono segnati per soprano solo e coro, Mozart utilizza il quartetto di solisti in K. 276, che, come nelle messe di Salisburgo, spesso dialoga con il...

Choralmesse für eine tiefere Solostimme, die 1842 in Windhaag entstand.

Choralmesse für eine tiefere Solostimme, die 1842 in Windhaag entstand.

Der berühmteste Chorsatz des Oratoriums jetzt auch als Einzelausgabe!

Coro SATB, 2 Ctr, Timp, 2 Vl, Bc

Cherubini's Ave Maria was originally scored for Soprano and Clarinet in C with two Violins, Viola, Cello and Bass accompaniment. The work is available here, with parts, to be performed either with two...

Wealth Enough for Me from 'For a Breath of Ecstasy' by Micheal John Trotta with words by Sara Teasdale. This work is for SATB choir with Oboe and String Quartet or Piano.

This piece, written in 2008, is a setting of the Ordinary of the Roman Catholic Mass, although it is intended for concert rather than liturgical use. The celebratory nature of the text is underlined b...

This piece, written in 2008, is a setting of the Ordinary of the Roman Catholic Mass, although it is intended for concert rather than liturgical use. The celebratory nature of the text is underlined b...

Alto Saxophone & Strings

Alto Saxophone & Strings

Alto Saxophone & Strings

Alto Saxophone & Strings