Spartiti medio Musica di Pasqua: Un repertorio vario per il vostro livello

Travel across the country from New York to San Francisco and points in between, as this medley drives you through some of the best-known songs about U. S. cities and states in just a few minutes! Just...

Arie con 1 o 2 flauti obbligati (con parte vocale completa [dt/engl]). Ausgewählte Sätze aus weltlichen Kantaten, Johannes-Passion, Magnificat D-dur, Weihnachtsoratorium und dem Osteroratorium - Parti...

Coro SAATBB

Victimae paschali laudes is an atmospheric arrangement of the traditional plainsong melody for this Latin text for Easter Sunday. Changing metres enable an authentic presentation of the plainsong styl...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

Mottetto pasquale in onore di Maria

Mottetto pasquale in onore di Maria

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Il "Requiem in mi bemolle" è un esempio del tipo di musica commerciale di Rheinberger, che raggiunge il massimo effetto con una maestria artigianale e mezzi modesti, senza pretendere troppo in termini...

Il corale in 6 parti sull'introito della Messa per i defunti fu composto durante l'attività didattica di Rheinberger alla Scuola Reale di Musica di Monaco. Insieme ai suoi studenti di composizione, la...

Il corale in 6 parti sull'introito della Messa per i defunti fu composto durante l'attività didattica di Rheinberger alla Scuola Reale di Musica di Monaco. Insieme ai suoi studenti di composizione, la...

Passion Music continues the fusion of jazz and choral music so successfully blended in Will Todd's Mass in Blue. The structure highlights different points in the Passion story, beginning with a new se...

Il 1° aprile 1725, Bach formò la cantata pasquale "Kommt, gehet und eilt" BWV 249.3, che sarebbe diventata il nucleo dell'Oratorio di Pasqua, dalla Cantata del Pastore BWV 249.1 che aveva composto poc...

Setting an invigorating Easter text from the Song of Songs, this episodic anthem is full of expressive passages and lyrical melodies. The canonical soprano parts are echoed in the lower voices, contri...

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

Riduzione per pianoforte con testo tedesco/inglese - Passio secundum Johannem. Soprano solo, contralto solo, tenore solo (2), basso solo (2), coro misto-SATB, orchestra > Questa edizione sostituisce l...